PREVIEW: Robin Rhode-African Dream Root

Robin Rhode, African Dream Root, 2022, C-print 2 panels, each: 30.55 x 40.39 x .51 inches / 77.6 x 102.6 x 1.3 cm (framed), 30.55 x 82.76 x .51 inches / 77.6 x 210.2 x 1.3 cm (overall, horizontal) 63.07 x 40.39 x .51 inches / 160.2 x 102.6 x 1.3 cm (overall, vertical), © Robin Rhode, Courtesy the artist and Lehmann Maupin GalleryWith his research-based and socially engaged practice, Robin Rhode engages the urban landscape to create complex, symbolically rich narratives that disrupt and transform their environments. The artist is best known for his multi-panel works that deftly combine photography, performance, wall painting, and drawing. Negotiating the urban landscape, these photographs often depict silhouetted figures interacting with carefully composed wall paintings that the artist paints in public spaces, most often in the city of Johannesburg.

By Dimitris Lempesis
Photo: Lehmann Maupin Gallery Archive

 In each succession of Robin Rhode’s photographs, the choreographed movements of the individual or group appear to alter the two-dimensional renderings, compressing space and time and morphing the urban landscape into a fictional storyboard. Using the medium of photography to capture his painted and performative actions, Rhode disrupts the fixity of the wall, rendering it a mobile substrate that can be transported into a variety of contexts. Robin Rhode’s solo exhibition “African Dream Root” features new photographs, sculptures, installations, and wall paintings inspired by his extensive research into visual and oral traditions of storytelling in Southern Africa. Born and raised in South Africa, Rhode examines the histories and mythologies of the continental subregion in his newest body of work. With “African Dream Root”, the artist moves to situate his wall-based works within a distinctly Southern African lineage and reconnect his practice to its ancient art historical roots. Locating his work in relation to ancient rock art and spiritual practices, Rhode considers his wall paintings to be visual interventions in their cultural, political, and ecological environments, and he aims to transform both landscapes and communities. Representing a critical development in Rhode’s practice, the exhibition marks the first time the he create wall paintings (typically shown through photographs documenting the paintings’ production) within a gallery context. As he transposes his wall-based works into the gallery space, Rhode suggests a fluid, mobile mode for representing Southern African diasporic experiences. Rhode is best known for his multi-panel works that deftly combine photography, performance, wall painting, and drawing. Negotiating the urban landscape, his work often depicts silhouetted figures interacting with carefully crafted, highly geometric wall paintings that the artist paints in public spaces in Johannesburg and Berlin. In contrast to earlier works that were spread across numerous photographs, many of the new photographic works (all shot in Johannesburg) make use of only two or three panels, and Rhode creates intricate compositions rich in symbolism that compress his complex tableaux into just a few frames. In addition to these photographic series, African Dream Root includes new sculptures and wall paintings. Here, the artist boldly merges street and gallery—bringing his dynamic scenes to life in the gallery space.Across the exhibition, Rhode draws upon his intensive research into ancient traditions of rock painting and their continued resonances in collective cultural memory. Throughout African Dream Root, Rhode envisions the wall as a portal between everyday experience and imaginative thought, and he examines the wall’s relationship to narrative in various cultural contexts. The artist’s research-based practice is expansive, spanning art history, ethnography, anthropology, and psychoanalytic theory. He incorporates a wide range of references, from ancient rock art in Southern Africa to the concept of the fourth wall, the notion that an invisible threshold separates a mise-en-scène from an audience. In Rhode’s work, the wall’s surface acts as both symbol and substrate, sign and structure. Functioning as a palimpsest, the wall retains the full breadth of its many cross-cultural, transhistorical meanings. Drawing upon mythological themes and spiritual practices, the artist evokes altered states of consciousness and envisions his works as conduits to a shared ancestral past. The exhibition’s title refers to the common name for Silene Capensis, a sacred, psychoactive herb native to Southern Africa. When consumed, the plant induces vivid, dreamlike states, interpreted as messages from ancestors. With their geometric compositions, many of Rhode’s newest murals and photographs depict various psychoactive botanicals, and they also reference entoptic phenomena, a term which refers to subjective visual effects created within the eye. Geometric patterns often found in ancient rock art are thought to have derived from these phenomena, often experienced during altered states of consciousness. Much archaeological and ethnographic scholarship suggests that rock art was a key component of shamanism; the geometric forms found in ancient rock art depict entoptic phenomena experienced during shamanistic rituals intended to initiate both personal and communal healing. The wall becomes a dynamic, charged surface imbued with cultural memory and spiritual potency—and as Rhode calls upon ancient histories and modes of interpretation in African Dream Root, he offers possibilities for metamorphosis. Rhode’s compositions carry rich, culturally specific meanings where form and content converge. Creating a paradigm transcending space and time, he offers a hybrid narrative mode that reflects the complexities of urban, post-colonial Southern African diasporic existence and invites new, fluid possibilities for both reckoning with and representing the present.

Photo: Robin Rhode, African Dream Root, 2022, C-print 2 panels, each: 30.55 x 40.39 x .51 inches / 77.6 x 102.6 x 1.3 cm (framed), 30.55 x 82.76 x .51 inches / 77.6 x 210.2 x 1.3 cm (overall, horizontal) 63.07 x 40.39 x .51 inches / 160.2 x 102.6 x 1.3 cm (overall, vertical), © Robin Rhode, Courtesy the artist and Lehmann Maupin Gallery

Info: Lehmann Maupin Gallery, 501 W 24th Street, New York, NY, USA, Duration: 12/1-11/2/2023, Days & Hours: Tue-Sat 10:00-18:00, https://www.lehmannmaupin.com/

Robin Rhode, Boophone Disticha, 2022, C-print, 49.61 x 65.35 x 3 inches / 126 x 166 x 1.18 cm (framed), © Robin Rhode, Courtesy the artist and Lehmann Maupin Gallery
Robin Rhode, Boophone Disticha, 2022, C-print, 49.61 x 65.35 x 3 inches / 126 x 166 x 1.18 cm (framed), © Robin Rhode, Courtesy the artist and Lehmann Maupin Gallery

 

 

Robin Rhode, African Dream Root, 2022, C-print 2 panels, each: 30.55 x 40.39 x .51 inches / 77.6 x 102.6 x 1.3 cm (framed), 30.55 x 82.76 x .51 inches / 77.6 x 210.2 x 1.3 cm (overall, horizontal) 63.07 x 40.39 x .51 inches / 160.2 x 102.6 x 1.3 cm (overall, vertical), © Robin Rhode, Courtesy the artist and Lehmann Maupin Gallery
Robin Rhode, African Dream Root (detail), 2022, C-print 2 panels, each: 30.55 x 40.39 x .51 inches / 77.6 x 102.6 x 1.3 cm (framed), 30.55 x 82.76 x .51 inches / 77.6 x 210.2 x 1.3 cm (overall, horizontal) 63.07 x 40.39 x .51 inches / 160.2 x 102.6 x 1.3 cm (overall, vertical), © Robin Rhode, Courtesy the artist and Lehmann Maupin Gallery