PRESENTATION: Several Degrees Of Attention
Spanning more than five decades, the Govett-Brewster’s permanent collection tells a story of artistic practice in Aotearoa New Zealand through the lens of those who have guided its growth. Featuring four curatorial projects, each departing from a work or group of works in the Govett-Brewster Art Gallery collection, the exhibition “Several degrees of attention “proposes four ways into, and out of, certain contemporary art histories that we live with.
By Efi Michalarou
Photo: Govett-Brewster Art Gallery Archive
The Govett-Brewster is a contemporary art museum of the Pacific, located in New Zealand, with an international reputation. Founded on the vision of New Plymouth-born Monica Brewster and her aspirations for a contemporary art museum for her city, the Gallery works with artists and ideas to engage people and build communities through contemporary art. The Gallery continues to build on its 50-year legacy of presenting art, from local, national and international contemporary artists that explores and celebrates who we are – our people, our place, our communities, our cultures, our histories and our understanding of the world. Govett-Brewster’s collection reflects their affinities, the ideas of the time, and the priorities they set for the collection and the institution. Like any institutional collection, the Govett-Brewster’s contains gems, anomalies, loose ends, and stories that remain to be told. Each of the four curatorial projects acts as a chapter, thinking closely with individual artists—the contexts they inhabited, the material and intellectual problems they worked through, and the stakes at play in approaching and navigating their practices now. Contemporary artistic voices have also been invited into the conversation to open new points of entry into Aotearoa’s art histories and pose relationships between artists across generations. Each project is distinct in its approach, and poses the question: What is of continuing value in re-examining and re-contextualising these artworks and artists now? Māia Abraham’s project “Tāheke” looks towards three generations of contemporary Māori artists: Ralph Hotere, Michael Parekōwhai and Turumeke Harrington. Speculating on what tuakana/teina relationships might be drawn between practices across time, Abraham examines possibilities for rethinking how institutional logics have determined through the story of contemporary Māori art. Elle Loui August reconsiders W. A. Sutton’s life-long engagement with the Canterbury landscape through his ambitious series of paintings “Te Tihi o Kahukura and Sky” (1976–77). Bringing together most of the series for the first time since its original exhibition in 1978, August poses restorative questions about our relationship to language, story and place. In “Thresholds”, Simon Gennard explores the 1980s sculpture and painting of Maria Olsen, which evade easy readings or interpretation. Olsen’s work appears alongside new sculptural and moving image works by Sonya Lacey, which extend the Lacey’s research into the metabolic and philosophical implications of sleep and sleeplessness and by association heightens both artists’ interest in the metaphysical. In her project, “This hand that is every stone”, Amy Weng looks into printmaker Kate Coolahan who, during the 1970-80s, created an eclectic suite of works reflecting migrant women and ideas in the South Pacific that were at odds with dominant practice at the time. Situating Coolahan’s work alongside large-scale batik fabrics by Rozana Lee, Weng offers a counternarrative that foregrounds emerging diasporas in Aotearoa during the late 20th century. Weng, like the other curators, proposes a conceptual affinity between two artists working across generations, and an interrogation of questions of encounter, identity and artistic meaning across time.
Artworks by: Kate Coolahan, Turumeke Harrington, Ralph Hotere, Sonya Lacey, Rozana Lee, Maria Olsen, Michael Parekōwhai, W A Sutton
Photo: Kate Coolahan, Victoria in the Pacific, 1976, photograph and auto-etching on paper, Collection of the Govett-Brewster Art Gallery, Ngāmotu New Plymouth
Info: Curators: Māia Abraham, Elle Loui August, Simon Gennard, Amy Weng, Govett-Brewster Art Gallery, 42 Queen Street, New Plymouth, Aotearoa, New Zealand, Duration: 9/7-13/11/2022, Days & Hours: Daily 10:00-17:00, https://govettbrewster.com/
