ART-PRESENTATION: Reality Errors

Sejin Kim, Messenger(s), 2019, OLED monitor, 3D motion graphic video, stereo sound, LED lights, Courtesy the artist and Nam June Paik Art CenterWhen we control reality then what’s real becomes unreal and what’s unreal becomes real. So we turn reality into unreality and at the same time as we do this we lose the ability to know that it has become unreality. The reason we have lost the ability to discern the unreal from the real is because (in the process) we ourselves have become unreal!

By Efi Michalarou
Photo: Nam June Paik Art Center Archive

Through the works of contemporary artists, the exhibition “Reality Errors”  speculates on the near future where the pace of technological advancement would outstrip human comprehension, seeking ways to coexist with diverse alterities such as machines. “Reality Errors” speculates on the near future where the pace of technological advancement would outstrip human comprehension, seeking ways to coexist with diverse alterities such as machines. The title is a layered reference; while instantiating the lived experience of our future wherein a wide range of alterities would become part of our daily interaction, it also aspires to the vision of embracing the extraordinary. Humanity’s pursuit of technological advancement envisions utopia as its objective, but also momentum. Dreams of such futures, however, tend to remain abstract and ambiguous despite their emphasis on the magnitude and speed of success, effect, or intelligence as shown in expressions like “faster,” “smarter,” and more “powerful” or “convenient”. The process of technological development must progress apace with axiological shifts and ethical inquiries as it undergoes a complex matrix of phases, but such values are oft cast aside or omitted. The artists participating in this exhibition turn their eyes to issues of responsibility and will – values we should have repeatedly faced in our daily lives as a teleological accompaniment, yet were lost in our oscillation between obligations and negligence. They intuit that the resultant errors, mistakes, and follies will bring the same problems from past and present back to life, summoning them to reflect new situations and exacerbated challenges. In capturing omens of an anxious future, the artists remind us that the inevitability of unjust consequences will first befall the subaltern, and expose the uncanny truths before our eyes to lift the veil of complacency. “Reality Errors”  grounds its departure point in pursuits of future coexistence through the inquiries the artists pose, illuminating the ethical and social issues that we have left behind in the throes of technological advancement. The quest to feel out a new future that instantiates these inquiries will extend our purview to what lies beyond reality – in the realm of the extraordinary.

Participating Artists: American Artist, Cao Fei, eobchae, Hyesoo Park, Jung Seung, Matthieu Cherubini, Sejin Kim, Sookyun Yang, Wesley Goatley, Yunchul Kim.

Info: Curators: Kwonjin Cho, Yunheo Jung, Nam June Paik Art Center, 10 Paiknamjune-ro, Giheung-gu, Yongin-si, Gyeonggi-do, Korea, Duration: 24/9/2020-31/1/2021, Days & Hours: Tue-Sun 10:00-18:00, https://njpac-en.ggcf.kr

Yunchul Kim, Triaxial Pillars II, 2017-2020, acrylic, aluminum, photonic crystal, neodymium magnet, motor, micro-controller, electromagnetic field generator, air pump, 250 x 50 x 50 cm & Yunchul Kim, Argos, 2018-2020, Geiger-Müller tube, glass, aluminum, micro-controller, 48 x 40 x 40 cm, Courtesy the artist and Nam June Paik Art Center
Yunchul Kim, Triaxial Pillars II, 2017-2020, acrylic, aluminum, photonic crystal, neodymium magnet, motor, micro-controller, electromagnetic field generator, air pump, 250 x 50 x 50 cm & Yunchul Kim, Argos, 2018-2020, Geiger-Müller tube, glass, aluminum, micro-controller, 48 x 40 x 40 cm, Courtesy the artist and Nam June Paik Art Center

 

 

Matthieu Cherubini, Ethical Autonomous Vehicles, 2013-2017, autonomous vehicles simulation program, Courtesy the artist and Nam June Paik Art Center
Matthieu Cherubini, Ethical Autonomous Vehicles, 2013-2017, autonomous vehicles simulation program, Courtesy the artist and Nam June Paik Art Center

 

 

Hyesoo Park, Perfect 7, Imaginary partnership registration agency ‘Perfect 7′ business booth, AD(single-channel),webpage(touch pad), lego block, variable size – Collaboration: Duyeong Hwang(aide), Kyungyong Lee (architect), Ted Hyunkak Yoon(designer), Research Support: Gyeonggi Cultural Foundation, Courtesy the artist and Nam June Paik Art Center
Hyesoo Park, Perfect 7, Imaginary partnership registration agency ‘Perfect 7′ business booth, AD(single-channel),webpage(touch pad), lego block, variable size – Collaboration: Duyeong Hwang(aide), Kyungyong Lee (architect), Ted Hyunkak Yoon(designer), Research Support: Gyeonggi Cultural Foundation, Courtesy the artist and Nam June Paik Art Center

 

 

Sookyun Yang, From OOX(object oriented x), 2020, 3D computer graphics, 2-channel video with interaction, Courtesy the artist and Nam June Paik Art Center
Sookyun Yang, From OOX(object oriented x), 2020, 3D computer graphics, 2-channel video with interaction, Courtesy the artist and Nam June Paik Art Center

 

 

eobchae, oo-genesis, 2020, single channel video, 11mins 5secs, Courtesy the artist and Nam June Paik Art Center
eobchae, oo-genesis, 2020, single channel video, 11mins 5secs, Courtesy the artist and Nam June Paik Art Center

 

 

Wesley Goatley, Chthonic Rites, 2020, hacked Amazon Echo and reprogrammed electronics installation, Courtesy the artist and Nam June Paik Art Center
Wesley Goatley, Chthonic Rites, 2020, hacked Amazon Echo and reprogrammed electronics installation, Courtesy the artist and Nam June Paik Art Center

 

 

Cao Fei, Asia One, 2018, single channel video, 63mins 20secs – Commissioned by the Solomon R. Guggenheim Museum-New York for The Robert H. N. Ho Family Foundation Chinese Art Initiative, Courtesy of Cao Fei, Vitamin Creative Space and Sprüth Magers
Cao Fei, Asia One, 2018, single channel video, 63mins 20secs – Commissioned by the Solomon R. Guggenheim Museum-New York for The Robert H. N. Ho Family Foundation Chinese Art Initiative, Courtesy of Cao Fei, Vitamin Creative Space and Sprüth Magers

 

 

Jung Seung, Prometheus’s String VII, 2020, plant, sensor, 3D printing(PLA), robotic motor, shape generatron program, LED lights, variable size, Courtesy the artist and Nam June Paik Art Center
Jung Seung, Prometheus’s String VII, 2020, plant, sensor, 3D printing(PLA), robotic motor, shape generatron program, LED lights, variable size, Courtesy the artist and Nam June Paik Art Center

 

 

American Artist, 2015, 2019, single channel video, 21mins 56secs, Courtesy the artist and Nam June Paik Art Center
American Artist, 2015, 2019, single channel video, 21mins 56secs, Courtesy the artist and Nam June Paik Art Center