VIDEO:Tiffany Chung-Maps of Memory
Tiffany Chung’s work often takes the form of participatory workshops in which the artist uses maps and cartography as a medium for young refugees to think about their experiences. “As refugees, some of them might have gone through horrific journeys … To be able to be reflective and put their minds together is not an easy task. Especially if you are in a situation where you are uncertain about tomorrow, about what the future holds for you.”
Herself a refugee from the Vietnam War, Chung has worked extensively with the conflict that affected her family and people. And while there are plenty of versions of this conflict being told – the American, the South Vietnamese and the North Vietnamese version – Chung points out that the war stories are rarely those of the people actually affected by the conflict: “The people who are affected by it, the casualties of the war, what is their version? In a lot of Hollywood movies you mostly hear the American voices, you hardly hear the Vietnamese voices. We were the extras, we were the people running around in the background, the Americans were the heroes.” Chung’s art is a way to questions these dominant narratives, she explains: “I don’t give answers in my work. But I would challenge the viewer in terms of questioning what the story really is, whether there is truth to it or if there are other possibilities of what the story could be.”
Tiffany Chung (b. 1969) is a Vietnamese-American artist based in Ho Chi Minh City, Vietnam. Her work, which is interdisciplinary and research based, examines conflict, migration, urban progress and transformation in relation to history and cultural memory. Chung has exhibited her work internationally including at the 56th Venice Biennale. Her artwork is held in the collections of the Fukuoka Asian Art Museum, Japan, the Queensland Art Gallery, Australia, and the SFMOMA, USA.
Tiffany Chung, Maps of Memory, Interview by Marc-Christoph Wagner, Camera: Rasmus Quistgaard, Edited by: Klaus Elmer, Produced by: Marc-Christoph Wagner, © Louisiana Channel, Louisiana Museum of Modern Art, 2016, Supported by Nordea-fonden