ART FAIRS:Art Basel Hong Kong-Viewing Rooms 2020, Part II

BARBARA KRUGERArt Basel Hong Kong 2020 has been cancelled due to the severe outbreak and spread of the new coronavirus epidemic, which has recently been declared a global health emergency by the World Health Organization. Just like the physical fair, the Art Basel online Viewing Rooms stagger visitors’ entry based on prestige levels. VIP clients will have first crack at the inventory on offer from 12-20 March 18. The general public will then be allowed through the virtual gates from 20-25 March.

By Dimitris Lempesis
Photo: Art Basel Archive

01In a nod to transparency, all works on offer at Viewing Rooms prices will be listed for the public and the sales status will be actively updated as works are put on hold or sold. New works may be offered over the course of the presentation, so viewers can return to the site for an opportunity to find additional offerings. There is no “click to buy” functionality on the platform. Instead, sales inquiries will be made through an online form sent to a gallery representative, who will then answer questions or finalize a transaction outside of Art Basel’s platform. The 231 dealers involved collectively offer more than 2,000 artworks spanning the Modern to Contemporary periods in traditional and new media alike, all of which were originally slated for inclusion on their respective stands at Art Basel Hong Kong this March.

Shirazeh Houshiary, Flare-up, 2018, Courtesy Lehmann Maupin
Shirazeh Houshiary, Flare-up, 2018, Courtesy Lehmann Maupin

 

 

Tony Ourlser, LosslessP, 2019, Courtesy Lehmann Maupin
Tony Ourlser, LosslessP, 2019, Courtesy Lehmann Maupin

 

 

Ken Price, Lung Ho, 2009, Fired and painted clay. 22 x 43 x 31 cm, Courtesy Matthew Marks Gallery
Ken Price, Lung Ho, 2009, Fired and painted clay. 22 x 43 x 31 cm, Courtesy Matthew Marks Gallery

 

 

Jeff Koons, Gazing Ball (Botticelli Primavera), 2017-2020, © Jeff Koons, Courtesy David Zwirner
Jeff Koons, Gazing Ball (Botticelli Primavera), 2017-2020, © Jeff Koons, Courtesy David Zwirner

 

 

Liu Ye, Book Painting No. 21 (Karl Blossfeldt, The Complete Published Work, Taschen GMBH, 2017), 2018, © Liu Ye, courtesy the artist and David Zwirner
Liu Ye, Book Painting No. 21 (Karl Blossfeldt, The Complete Published Work, Taschen GMBH, 2017), 2018, © Liu Ye, courtesy the artist and David Zwirner

 

 

Ellsworth Kelly, Lily, 1981. Graphite on paper. 22 1/4 x 30 inches; 57 x 76 cm, Courtesy Matthew Marks Gallery
Ellsworth Kelly, Lily, 1981. Graphite on paper. 22 1/4 x 30 inches; 57 x 76 cm, Courtesy Matthew Marks Gallery

 

 

Left: Marlene Dumas, Like Don Quixote, 2002, © Marlene Dumas, Courtesy Matthew Marks Gallery  Right: Katharina Fritsch, Zwei Männer/Two Men, 2019, Polyester, paint. 70 1/2 x 35 x 39 inches; 179 x 89 x 99 cm, Courtesy Matthew Marks Gallery
Left: Marlene Dumas, Like Don Quixote, 2002, © Marlene Dumas, Courtesy Matthew Marks Gallery
Right: Katharina Fritsch, Zwei Männer/Two Men, 2019, Polyester, paint. 70 1/2 x 35 x 39 inches; 179 x 89 x 99 cm, Courtesy Matthew Marks Gallery

 

 

Anne Truitt, Brunt I, 1974, Acrylic on canvas. 110 x 231 cm, Courtesy Matthew Marks Gallery
Anne Truitt, Brunt I, 1974, Acrylic on canvas. 110 x 231 cm, Courtesy Matthew Marks Gallery

 

 

Brook Andrew, Blue pot & gifts, 2018, Linen, ink, acrylic paint, Diptych: 108,5 x 204 cm (low); 90,5 x 204 cm (up), Courtesy Galerie Nathalie Obadia
Brook Andrew, Blue pot & gifts, 2018, Linen, ink, acrylic paint, Diptych: 108,5 x 204 cm (low); 90,5 x 204 cm (up), Courtesy Galerie Nathalie Obadia

 

 

Left: Rina Banerjee, With tinsel and teeth, gem and gem... get back,  get back to where you once belonged, 2005 Mixed media, 337 x 107 x 90 cm, Courtesy Galerie Nathalie Obadia  Right: Torbjørn Rødland, House Adjusted, 2016-20, chromogenic print, 40 x 30 cm, Framed 41.9 x 32.1 x 3.8 cm, Edition of 3 with 1 AP, Courtesy David Kordansky Gallery
Left: Rina Banerjee, With tinsel and teeth, gem and gem… get back, get back to where you once belonged, 2005 Mixed media, 337 x 107 x 90 cm, Courtesy Galerie Nathalie Obadia
Right: Torbjørn Rødland, House Adjusted, 2016-20, chromogenic print, 40 x 30 cm, Framed 41.9 x 32.1 x 3.8 cm, Edition of 3 with 1 AP, Courtesy David Kordansky Gallery

 

 

Lu Chao, Funambulist No.1, 2017, Oil on canvas, 45 x 60 cm, Courtesy Galerie Nathalie Obadia
Lu Chao, Funambulist No.1, 2017, Oil on canvas, 45 x 60 cm, Courtesy Galerie Nathalie Obadia