The Whitney Museum of American Art opened its new Renzo Piano designed home, with an ambitious exhibition that reexamines the history of American art from 1900 to today. “America Is Hard to See” presents new perspectives of the Whitney’s collection, reflecting art in the U.S.A. with 600 artworks by 400 artists, the exhibition elaborates the themes, ideas, beliefs, and passions that have galvanized American artists in their struggle to work within and against established conventions, often directly engaging their political and social contexts.
By Dimitris Lempesis
Photo: Whitney Museum of American Art Archive
Numerous artworks that have rarely, if ever, been shown appear alongside beloved icons in a conscious effort to unsettle assumptions about the American art. The title “America Is Hard to See”, comes from a poem by Robert Frost and a political documentary by Emile de Antonio. Metaphorically, the title seeks to celebrate the ever-changing perspectives of artists and their capacity to develop visual forms that respond to the culture of the United States. It also underscores the difficulty of neatly defining the country’s ethos and inhabitants, a challenge that lies at the heart of the Museum’s commitment to and continually evolving understanding of American art. Organized chronologically, the exhibition’s narrative is divided into 23 thematic chapters installed throughout the building. These sections revisit and revise established tropes while forging new categories and even expanding the definition of who counts as an American artist. Indeed, each chapter takes its name not from a movement or style but from the title of a work that evokes the section’s animating impulse. Works of art across all mediums are displayed together, acknowledging the ways in which artists have engaged various modes of production and broken the boundaries between them. The majority of the exhibition will be on view through 27/9/15, but some floors will close on a staggered schedule before and after that date.
Info: “America Is Hard to See”, Curating: The Team of Whitney Museum, Whitney Museum of American Art, 99 Gansevoort Street, N. York, Duration: 1/5-27/9/15, Days & Hours: Sun, Mon, Wed: 10:30-18:00, Thu-Sat: 10:30-22:00, http://whitney.org
Barbara Kruger, Untitled (We Don’t Need Another Hero), 1987, Photoscreenprint on vinyl, 108 7/8 × 209 3/16 × 2 1/2 in. (276.5 × 531.3 × 6.4 cm), Whitney Museum of American Art, New York, gift from the Emily Fisher Landau Collection 2012.180 © Barbara Kruger, Courtesy: Mary Boone Gallery, New York
Jasper Johns, Three Flags, 1958, Encaustic on canvas, 30 5/8 × 45 1/2 × 4 5/8 in. (77.8 × 115.6 × 11.7 cm), Whitney Museum of American Art, New York, purchase, with funds from the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, Howard Lipman, and Ed Downe in honor of the Museum’s 50th Anniversary 80.32 Art © Jasper Johns/Licensed by VAGA, New York, NY
Edward Ruscha, Large Trademark with Eight Spotlights, 1962, Oil, house paint, ink, and graphite pencil on canvas, Overall: 66 15/16 × 133 1/8in. (170 × 338.1 cm), Whitney Museum of American Art, New York, purchase, with funds from the Mrs. Percy Uris Purchase Fund 85.41 © Ed Ruscha
Edward Hopper (1882-1967), Railroad Sunset, 1929. Oil on canvas, 29 5/16 × 48 1/8 in. (74.5 × 122.2 cm), Whitney Museum of American Art, New York, Josephine N. Hopper bequest 70.1170 © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art
Brice Marden, Summer Table, 1972-73. Oil and wax on canvas, 60 1/4 × 105 3/8 in. (153 × 267.7 cm), Whitney Museum of American Art, New York, purchase, with funds from the National Endowment for the Arts 73.30 © 2015 Brice Marden/Artists Rights Society(ARS), New York
Edward Hopper, Early Sunday Morning, 1930, Oil on canvas, 35 3/16 x 60in. (89.4 x 152.4 cm), Whitney Museum of American Art, New York, purchase, with funds from Gertrude Vanderbilt Whitney 31.426, © Whitney Museum of American Art
Robert Bechtle, ’61 Pontiac, 1968 1969, Oil on canvas, 59 3/4 × 84 1/4in. (151.8 × 214 cm), Whitney Museum of American Art, New York, purchase, with funds from the Richard and Dorothy Rodgers Fund 70.16., © Robert Bechtle
R. H. Quaytman, Distracting Distance, Chapter 16, 2010, Screenprint and gesso on wood, 24 5/8 × 39 7/8in. (62.5 × 101.3 cm), Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2010.54, © R. H. Quaytman
Robert Breer, Form Phases IV, 1954, 16mm film, color, silent, 3:30 min, Whitney Museum of American Art, New York, purchase, with funds from the Film, Video, and New Media Committee 2014.233, © Estate of Robert Breer
Robert Henri, Gertrude Vanderbilt Whitney, 1916, Oil on canvas, Overall: 49 15/16 x 72in.(126.8 x 182.9 cm), Whitney Museum of American Art, New York, Gift of Flora Whitney Miller 86.70.3
Bruce Nauman, Raw War, 1971, Lithograph: sheet, 22 7/16 × 28 3/16 in. (57 × 71.6 cm), Whitney Museum of American Art, New York, purchase, with funds from the Print Committee 85.9, © 2015 Bruce Nauman/Artists Rights Society(ARS), New York
Donald Moffett, He Kills Me, 1987, Offset lithograph, 23 1/2 × 37 1/2 in. (59.7 × 95.3 cm), Whitney Museum of American Art, New York, gift of David W. Kiehl in memory of artists and art workers who died of AIDS 2012.160, © Donald Moffett
Claes Oldenburg, Smoke Studies During the Burning of Chicago, 1968, Spray paint, collage, and colored pencil on paper, 8 1/2 × 11 in. (21.6 × 27.9 cm), Whitney Museum of American Art, New York, gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.53 © Claes Oldenburg
Akosua Adoma Owusu, Intermittent Delight, 2007, Video, color, sound, 5 min. Whitney Museum of American Art, New York, purchase, with funds from the Film, Video, and New Media Committee 2014.35, © Courtesy of Akosua Adoma Owusu
Eva Hesse, No title, 1969 1970, Latex, rope, string, and wire, Dimensions variable, Whitney Museum of American Art, New York purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17a b, © Estate of Eva Hesse; courtesy Hauser & Wirth
Patrick Henry Bruce, Painting, c. 1921-22, Oil on canvas, 35 × 45 3/4 in. (88.9 × 116.2 cm), Whitney Museum of American Art, New York, gift of an anonymous donor 54.20
Cindy Sherman, Untitled Film Still #45, 1979, Gelatin silver print, Sheet: 8 × 10in. (20.3 × 25.4 cm), Whitney Museum of American Art, New York, promised gift of Thea Westreich Wagner and Ethan Wagner P.2011.357, © Cindy Sherman, Courtesy artist and Metro Pictures, New York
Robert Gober, Untitled, 1991, Wax, cloth, wood, leather and human hair, 12 5/16 × 10 1/4 × 37 1/2 in. (31.3 × 26 × 95.3 cm), Whitney Museum of American Art, New York, purchase, with funds from Robert W. Wilson 92.6, © 1991 Robert Gober
Cecil Beaton, Portrait of Juliana Force, c. 1931, Gelatin silver print, 7 1/4 × 9 1/4 in. (18.4 × 23.5 cm), Whitney Museum of American Art, New York, Gift of Gertrude Vanderbilt Whitney 93.25, © Sotheby’s Picture Library, Cecil Beaton Archive, London
Mark Rothko, Four Darks in Red, 1958, Oil on canvas, 101 13/16 × 116 3/8 in. (258.6 × 295.6 cm), Whitney Museum of American Art, New York, purchase, with funds from the Friends of the Whitney Museum of American Art, Mr. and Mrs. Eugene M. Schwartz, Mrs. Samuel A. Seaver and Charles Simon 68.9, © 2015 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society(ARS), New York
Man Ray, La Fortune, 1938, Oil on linen, 23 11/16 × 28 13/16 in. (60.2 × 73.2 cm), Whitney Museum of American Art, New York, purchase, with funds from the Simon Foundation, Inc. 72.129, © 2015 Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris
Marisol, Women and Dog, 1963-64, Wood, plaster, synthetic polymer, taxidermied dog head and miscellaneous items, 73 9/16 × 76 5/8 × 26 3/4 in. (186.8 × 194.6 × 67.9 cm), Whitney Museum of American Art, New York, purchase, with funds from the Friends of the Whitney Museum of American Art 64.17a-I, © Marisol / Licensed by VAGA, New York, NY
Paul Chan, 1st Light, 2005. Video installation, black-and-white and color, silent, 14 min., 103 × 245 × 283 in. (261.6 × 622.3 × 718.8 cm), Whitney Museum of American Art, New York, purchase, with funds from the Film and Video Committee 2007.4, © Paul Chan
Carroll Dunham, Large Bather (quicksand), 2006-12, Polyurethane and pigment and pencil on linen, 96 1/8 × 119 1/4 in. (244.2 × 302.9 cm), Whitney Museum of American Art, New York, purchase, with funds from the Director’s Discretionary Fund, the Painting and Sculpture Committee, and an anonymous donor 2014.40, © Carroll Dunham
Peter Halley, Blue Cell with Triple Conduit, 1986, Acrylic and vinyl paint on canvas, two parts, 77 5/16 × 77 1/4 × 3 1/4 in. (196.4 × 196.2 × 8.3 cm), Whitney Museum of American Art, New York, gift of Heather and Steven Mnuchin 2004.608a-b, © 1986 Peter Halley
Jasper Johns, Racing Thoughts, 1983, Encaustic, screenprint, and wax crayon on collaged cotton and linen, 48 1/16 × 75 3/16 in. (122.1 × 191 cm), Whitney Museum of American Art, New York, purchase, with funds from the Burroughs Wellcome Purchase Fund, Leo Castelli, the Wilfred P. and Rose J. Cohen Purchase Fund, the Julia B. Engel Purchase Fund, the Equitable Life Assurance Society of the United States Purchase Fund, The Sondra and Charles Gilman, Jr. Foundation, Inc., S. Sidney Kahn, The Lauder Foundation, Leonard and Evelyn Lauder Fund, the Sara Roby Foundation and the Painting and Sculpture Committee 84.6 Art, © Jasper Johns, Licensed by VAGA, New York, NY
Roy Lichtenstein, Little Big Painting, 1965, Oil and acrylic on canvas, 68 × 80 in. (172.7 × 203.2 cm), Whitney Museum of American Art, New York, purchase, with funds from the Friends of the Whitney Museum of American Art 66.2, © Estate of Roy Lichtenstein
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