ART CITIES:Stockholm-Henrik Samuelsson
The architecture and formal composition of Henrik Samuelsson’s paintings generate a strong sense of presence, emphasised by an underlying structure of vertical and horizontal lines. Their interaction creates a space that surrounds and captivates the viewer. The paintings deal not only with shifting perspectives, but also with the inner light that emerges in the subtle gradation of color.
By Dimitris Lempesis
Photo: Galerie Laurent Godin Archive
Henrik Samuelsson’s series “Frozen Orbit” , eleven paintings by created between 2012 and 2017, are on presentation at Royal Academy of Fine Arts in Stockholm. The entirety of the series unfold a nonlinear tale during a short time before dawn, where each canvas accurately punctuates the eleven minutes that compose this moment, following the irregular rhythm of a silent metronome. Through a game of correspondences where landscape,splinters of architecture and skies respond to one another, the scenes reveal random parallels and disorientating symmetries: awakening and sleep, white moon and black moon, absence and presence. Each work, while keeping the strength of its singularity, finds a partial reflection, distorted or reversed in the other paintings of the series. Like a distant echo from “Stega”, a previous series of paintings by Samuelsson whose format and number are similar, the Frozen Orbit paintings are also inspired by the scenery of northern Sweden where the artist comes from. The sites here are depicted at different stages of desolation: these familiar places are suitable for a vigilant and silent observation. Fed with distant memories they now seem haunted by wild animals, and could be a possible scene where the mythical creatures of Borges’ Book of Imaginary Beings could evolve without a hitch. The chromatic spectrum is reduced to four shades: a subdued white referring to the physical and prehensile world, another white, luminous, immaterial and therefore inaccessible, an intermediate gray left by the ebb of light, and a deep black summoning the darkness. Space and time portrayed in Samuelsson’s work seem suspended like celestial objects frozen in a race towards the Solaris planet, materializing dreamlike scenes that the eye, situated in its orbit, wishes to project. An appointment by ruins inhabited not by memories, but by dreams; a show offering chimerical vestiges where we are invited to communicate with ourselves.
Info: Royal Academy of Fine Arts, Fredsgatan 12 / Jakobsgatan 27 C (hiss), Stockholm, Duration: 23/8-30/9/18, Days & Hours: Tue-Fri 11:00-17:00, Sat-Sun 12:00-16:00, https://konstakademien.se