ART CITIES:N.York-Studio Visit, Selected Gifts from Agnes Gund

Nick Cave, Soundsuit (Detail), 2011,  Found objects, knit head and bodysuit, and mannequin, 307.3 x 106.7 x 83.8 cm, The Museum of Modern Art-New York, Gift of Agnes Gund in honor of Dr. Stuart W. Lewis, © 2018 Nick Cave, Photo:  Imaging and Visual Resources Department MoMAA studio visit provides an opportunity for some of the most meaningful encounters, conversations, and exchanges between artists, friends, curators, and collectors. Agnes Gund is one of the most dedicated and steadfast of studio visitors, consistently inspired by the thrill of looking and talking with artists in the presence of their artworks.

By Efi Michalarou
Photo: MoMA Archive

The exhibition “Studio Visit: Selected Gifts from Agnes Gund” celebrates Gund’s contributions as art patron, collector, and longtime Trustee of The Museum of Modern Art. The presentation pays tribute to the more than 700 works of art she has funded over the past 50 years. These gifts have come steadily and reliably during her decades of service as a key member of several departmental acquisition committees and her tenure as the Museum’s President from 1991 to 2002. The exhibition reflects the depth of her collecting by bringing together a broad-ranging group of artworks from the 1950s to today in a non-chronological display that sets visitor favorites, seldom seen works, and recent acquisitions in dialogue with one another. On presentation are works like Jasper Johns’ “Between the Clock and the Bed” (1981) or Ellswoth Kelly’s “Orange Green” (1964) as well as rarely seen works and recent acquisitions by Gund. Agnes Gund has said she believes that art “is a right, not a privilege”, and this belief has been the driving force behind her philanthropic endeavors in the art world for over four decades. Serving on the board of numerous museums and foundations, Gund typically gives between $6 million and $7 million a year through her A G Foundation, which has also donated hundreds of works to the Museum of Modern Art in New York and other museums. On top of these generous contributions, she has made it possible for 30,000 students, 90 percent of whom are under-privileged, to receive over 45,000 hours of art education a year through Studio in a School, a nonprofit organization which she founded in 1977. Her personal collection of over 2,000 works spans from 1940 to the present and includes pieces by Jasper Johns, Robert Rauschenberg, Richard Serra, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, John Baldessari, and many more. While presenting only a small fraction of the works Gund has given to MoMA, the exhibition aims to prove that our collection would not be what it is today without her deeply held convictions and unparalleled generosity.

Info: Curator Ann Temkin, Assistant Curator: Cara Manes, Curatorial Fellow: Mia Matthias, Museum of Modern Art (MoMA), 11 West 53 Street, New York, Duration: 29/4-22/7/18, Days & Hours: Mon-Thu & Sat-Sun 10:30-17:30, Fri 10:30-20:00, www.moma.org

Jasper Johns, Between the Clock and the Bed, 1981, Encaustic on canvas, three panels, 183.2 x 321 cm, The Museum of Modern Art-New York, Gift of Agnes Gund, Photo: Thomas Griesel
Jasper Johns, Between the Clock and the Bed, 1981, Encaustic on canvas, three panels, 183.2 x 321 cm, The Museum of Modern Art-New York, Gift of Agnes Gund, Photo: Thomas Griesel

 

 

Mary Lee Bendolph, Lonnie Holley’s Freedom, 2005, Aquatint and etching, plate: 31 80.8 x 91 cm; sheet: 103.7 x 111 cm, The Museum of Modern Art-New York. Acquired through the generosity of Agnes Gund, © 2018 Mary L. Bendolph, Photo: Thomas Griesel
Mary Lee Bendolph, Lonnie Holley’s Freedom, 2005, Aquatint and etching, plate: 31 80.8 x 91 cm; sheet: 103.7 x 111 cm, The Museum of Modern Art-New York. Acquired through the generosity of Agnes Gund, © 2018 Mary L. Bendolph, Photo: Thomas Griesel

 

 

Left: Elizabeth Murray, Painters Progress, 1981, Oil on canvas, nineteen panels, 294.5 x 236.2 cm, The Museum of Modern Art-New York, © 2018 Estate of Elizabeth Murray / Artists Rights Society (ARS)-New York, Acquired through the Bernhill Fund and gift of Agnes Gund, Photo: Paige Knight. Right: Ellsworth Kelly, Orange Green, 1964, Oil on canvas, 170.2 x 127 cm, The Museum of Modern Art-New York, Promised gift of Agnes Gund in honor of Jack Shear, © 2018 Ellsworth Kelly, Photo:  Imaging and Visual Resources Department MoMA
Left: Elizabeth Murray, Painters Progress, 1981, Oil on canvas, nineteen panels, 294.5 x 236.2 cm, The Museum of Modern Art-New York, © 2018 Estate of Elizabeth Murray / Artists Rights Society (ARS)-New York, Acquired through the Bernhill Fund and gift of Agnes Gund, Photo: Paige Knight. Right: Ellsworth Kelly, Orange Green, 1964, Oil on canvas, 170.2 x 127 cm, The Museum of Modern Art-New York, Promised gift of Agnes Gund in honor of Jack Shear, © 2018 Ellsworth Kelly, Photo: Imaging and Visual Resources Department MoMA

 

 

Left: Nick Cave, Soundsuit, 2011, Found objects, knit head and bodysuit, and mannequin, 307.3 x 106.7 x 83.8 cm, The Museum of Modern Art-New York, Gift of Agnes Gund in honor of Dr. Stuart W. Lewis, © 2018 Nick Cave, Photo:  Imaging and Visual Resources Department MoMA, Right: Lynda Benglis, Ghost Dance/Pedmarks, 1998, Gold leaf on bronze, 213.4 x 91.4 x 63.5 cm, The Museum of Modern Art-New York. Gift of Agnes Gund. © 2018 Lynda Benglis/Licensed by VAGA, New York, NY. Photo:  Imaging and Visual Resources Department MoMA
Left: Nick Cave, Soundsuit, 2011, Found objects, knit head and bodysuit, and mannequin, 307.3 x 106.7 x 83.8 cm, The Museum of Modern Art-New York, Gift of Agnes Gund in honor of Dr. Stuart W. Lewis, © 2018 Nick Cave, Photo: Imaging and Visual Resources Department MoMA, Right: Lynda Benglis, Ghost Dance/Pedmarks, 1998, Gold leaf on bronze, 213.4 x 91.4 x 63.5 cm, The Museum of Modern Art-New York. Gift of Agnes Gund. © 2018 Lynda Benglis/Licensed by VAGA, New York, NY. Photo: Imaging and Visual Resources Department MoMA