ART CITIES:Budapest-Rafael Yossef Herman

Rafael Yossef Herman, Carmel V, 2011, Chromogenic  print, 180x270cm, Courtesy Ludwig MuseumRafael Yossef Hermanis is a revolutionary Israeli-Italian artist working in Paris. His dreamy, landscapes look like they’ve been photographed in the daylight, but the artist is using just the “moon-light,” with no electronic or digital manipulation. This lighted night, nearly divined, without shadow, creates a new surreal reality, one that our eye cannot see and does not know.

By Dimitris Lempesis
Photo: Ludwig Museum Archive

Rafael Yossef Herman in his first solo exhibitionin Hungary, at Ludwig Museum-Museum of Contemporary Art in Budapest presents recent works of his work with the hidden existence of the night’s darkness. By observing this large scale photographic installation, the Israel-born artist’s representation of the nocturnal world may look like daylight to the viewer. The works chosen for this exhibition mainly show pathways or clearings in forests and open fields with flowers. As we walk through the differently lit rooms there is a confrontation between the forest images placed in an intensely dark environment with those capturing flower fields and large spring-like open spaces of nature placed in an overlit room. Forests are usually perceived as dark and shady even on a sunny day while open fields considered light and sunny at all times. By creating this supporting environment the viewer is confronted with his own limitations of perception. The visitor enters this ‘other reality’ by doing nothing but being present. In this it can be seen that Herman’s nocturnal images are not simply eliminating the ‘horror’ of the night by creating a daylight-like atmosphere but are constructing an alternative reality that has never been seen by the human eye. Herman examines the limits of surreality and timeless reality in these works that encapsulate imperceivable, or imaginary realities. In a sense, he is researching virtuality. Virtual realities, games, and simulations that are so influential to the present allow us to seek into areas unknown to the human eye. The night landscapes shot by Herman do not exist for our eyes. These strange lights of the night normally can only be perceived by technology. Compared to the experience of the real daylight, we perceive odd shadows, the features of moonlight, colour spectrum and shimmering details that differ from sunlight. Herman creates a new reality out of the mystery of the night. He highlights the fact that although the night landscape is close to us, its details cannot be observed. These landscapes do not exist for the human eye, they are insights into another reality.

Info: Curator: Attila Nemes, Ludwig Museum-Museum of Contemporary Art, Komor Marcell utca 1, Budapest, Duration: 16/2-1/4/18, Days & Hours: Tue-Sun 10:00-20:00, www.ludwigmuseum.hu

Rafael Yossef Herman, Carmina Glos, 2011, Chromogenic  print, 180x270cm, Courtesy Ludwig Museum
Rafael Yossef Herman, Carmina Glos, 2011, Chromogenic print, 180 x 270cm, Courtesy Ludwig Museum

 

 

Rafael Yossef Herman, Felix Taeda II, 2014, Chromogenic  print, 180x270cm, Courtesy Ludwig Museum
Rafael Yossef Herman, Felix Taeda II, 2014, Chromogenic print, 180 x 270cm, Courtesy Ludwig Museum

 

 

Rafael Yossef Herman, Mare 12, 2012, Chromogenic  print, 180x230cm, Courtesy Ludwig Museum
Rafael Yossef Herman, Mare 12, 2012, Chromogenic print, 180 x 230cm, Courtesy Ludwig Museum

 

 

Rafael Yossef Herman, Nocte Decus, 2016, Chromogenic  print, 180x270cm, Courtesy Ludwig Museum
Rafael Yossef Herman, Nocte Decus, 2016, Chromogenic print, 180 x 270cm, Courtesy Ludwig Museum

 

 

Rafael Yossef Herman, Saltus III, 2010, Chromogenic  print, 180x270cm, Courtesy Ludwig Museum
Rafael Yossef Herman, Saltus III, 2010, Chromogenic print, 180 x 270cm, Courtesy Ludwig Museum

 

 

Rafael Yossef Herman, Somnum Rubrum, 2012, Chromogenic  print, 180x244 cm, Courtesy Ludwig Museum
Rafael Yossef Herman, Somnum Rubrum, 2012, Chromogenic print, 180 x 244 cm, Courtesy Ludwig Museum