ART CITIES:Miami-Ugo Rondinone
Ugo Rondinone works in mixed-media installations that include sculpture, painting, video, sound, and photography. His wide-ranging practice utilizes metaphoric and iconographic images such as clouds, animals, and figures, as well as powerful declarative sayings like “Hell, Yes!” By co-opting the language of psychedelia and advertising, Rondinone conveys his profound interest in the contemplation of everyday life and activities.
By Dimitris Lempesis
Photo: The Bass Museum of Art Archive
Ugo Rondinone’s exhibition “good evening beautiful blue” spans the entirety of the Bass Museum’s newly designed second floor, is part of a major multi-institution retrospective comprising works that span from the late 1990s to the present. The exhibition begins with “clockwork for oracles II” (2008), a multi-wall installation comprised of 52-mirrored windows (one for each week in the year) set against a backdrop of whitewashed pages from a local newspaper. Visitors encounter their mirrored reflections, stopping momentarily to contemplate how their temporary presence in the room contrasts with the dated newsprint behind the windows, which becomes more distant throughout the duration of the exhibition. The subsequent gallery houses “Vocabulary of solitude” (2014-2016), the centerpiece of the exhibition and the only work present in all venues of the exhibition. “Vocabulary of solitude” is an installation of 45 life-size clown figures cast from 22 men and 23 women of various ages and ethnicities. The work takes inspiration from the artist’s reflection on his daily actions, where each figure is engaged in a different quotidian activity, such as sleeping, dreaming, remembering, showering and walking. Marking its first appearance in the U.S. in nearly two decades, the final gallery presents an immersive six-channel video installation titled “It’s late It’s late and the wind carries a faint sound as it moves through the trees. It could be anything. The jingling of little bells perhaps, or the tiny flickering out of tiny lives. I stroll down the sidewalk and close my eyes and open them and wait for my mind to go perfectly blank. Like a room no one has ever entered, a room without any doors or windows. A place where nothing happens.” (1999–2000). The entire room is given a blue tint by an illuminated ceiling, as projected slow-motion loops of six men and six women, alone in their frames, perform an unresolved gesture without acknowledging the viewer, like opening an apartment door, or floating (or sinking) in water
Info: The Bass Museum of Art, 2100 Collins Ave, Miami Beach, Duration: 29/10/17-19/2/18, Days & Hours: Daily 10:00-17:00, https://thebass.org
