ART FAIRS:FIAC 2017,Part II

Kim Sooja, A Needle Woman-Kitakyushu (Video Stills Print Production), 1999, Inkjet Print on Hahnemüle paper, 51,94 × 76,20 cm (95 x 71 cm framed), Courtesy the artist and Galleria Raffaella Cortese, Milano, Artwork exhibited by : Raffaella CorteseOne of the oldest and respectable Art Fairs, FIAC, opens for its 44th Edition at the Grand Palais in Paris. A major event for artistic creation, FIAC 2017 continues its development and confirms its status as a leading international Art Fair. Remaining attentive to the evolutions and concerns of contemporary creation, questioning the transformations of the careers of gallery owners and exhibition organizers as well as artistic practices themselves (Part I).

By Efi Michalarou
Photo: FIAC 2017 Archive

The 44th edition of FIAC takes places in Paris at the Grand Palais. This edition brings together 193 galleries from 30 countries under the nave of the Grand Palais, and upstairs in the Salon d’honneur, the Upper Galleries, and the Salon Jean Perrin (inaugurated in 2016). 41 new galleries join FIAC this year. This year FIAC is re-introducing a Design sector, with the participation of 5 galleries internationally renowned for their expertise in the field of 20th and 21st design: Jousse Entreprise, Galerie kreo, LAFFANOUR – Galerie Downtown, Eric Philippe, and Galerie Patrick Seguin. Inaugurated in 2016, the On Site sector, presents around 40 sculptures and installations for this new edition, at the Petit Palais and on the Avenue Winston Churchill, which are pedestrianised for the occasion. In 2017, FIAC further increased its presence in the Palais de la Découverte, through its performance festival, Parades for FIAC. In association with Chantal Crousel, Eva Presenhuber and Luhring Augustine, this year FIAC gives carte blanche to American artist Oscar Tuazon to present an in-situ project on Place Vendôme. Since 2006, FIAC and the Louvre’s Hors les Murs programme, presents for exhibition, outdoor works in the Tuileries Garden: architectural projects, sculptures, performances and sound pieces are installed in the prestigious context of the Domaine National du Louvre et des Tuileries, close to the Grand Palais. The implication which both artists and galleries manifest in this programme and the exceptional qualities of the site makes it possible to feature some twenty projects every year, which take up temporary residence on the alleys, lawns, ponds and fountains of the garden creating an impressive outdoor exhibition lasting one month. It enables FIAC galleries to exhibit monumental artworks that echo the patrimonial context and respond to the scale and the perspectives of the Garden. Thje Musée Eugène Delacroix opens to FIAC visitors, in collaboration with the Musée du Louvre. Situated in the heart of Saint-Germain-des-Prés, the Eugène Delacroix Museum is an unexpected haven of peace, niched between courtyard and garden. Designed by the painter himself, the studio was transformed into a museum through the initiative of Maurice Denis and other major painters of the 1920s. Launched in 2016, Parades for FIAC, is a festival dedicated to performative practices and exchanges between contemporary art disciplines. This programme presents some twenty performances held in various emblematic Parisian locations near the Grand Palais, during FIAC week in October. It investigates intersections between music, contemporary dance, theater, performance and poetry and presents a series of experiments in the form of live actions that explore new avenues in the field of artistic performance. The cycle pays particular tribute to the pioneers of performance, who blurred the boundaries between these practices. FIAC presents a two-day conferences cycle, on 21 & 22 October, in the Conversation Room inside the fair, on the first floor of the Grand Palais. In 2017, FIAC invited 89plus, a long-term, international, multiplatform research project co-founded by Simon Castets and Hans Ulrich Obrist, investigating the generation of innovators born in or after 1989. Marked by several paradigm-shifting events, the year 1989 saw the collapse of the Berlin Wall and the start of the post- Cold War period, and the introduction of the World Wide Web and the beginning of the universal availability of the Internet. Positing a relationship between these world-changing events and creative production at large, 89plus introduces the work of some of this generation’s most inspiring protagonists.

Info: Fiac 2017, Grand Palais, Avenue Winston Churchill, Paris, Days & Hours: Tue-Fri (19-20/10/17) 12:00-20:00, Sat-Sun (21-22/10/17) 12:00-19:00, Admission: Full-fare ticket 37 €, Reduced fare 20 €, Children under 12: free entry, Daily pass + FIAC catalogue 60 €, Petit Palais, Avenue Winston Churchill, Paris, Days & Hours: Wed & Fri (18&20/10/17) 11:00-21:00, Thu (19/10/17) 10:00-20:00, Sat-Sun (20&21/10/17) 10:00-19:00, Admission: Free, Jardin des Tuileries, Duration: Until November 2017, Days & Gours: Daily 7:30-19:30, Place Vendôme, Duration: Until November 2017, Musée Delacroix, 6 rue de Furstenberg, Paris, Days& Hours: Mon & Wed-Sun 9:30-17:30, Admission: Free upon presentation of your FIAC ticket, www.fiac.com

Fabrice Samyn, Untitled from the series The color
Fabrice Samyn, Untitled from the series The color

 

 

Gonzalo Lebrija, Estampida, 1999, C-print, 60 x 90 cm, Courtesy Galerie Laurent Godin, Artwork exhibited by : Laurent Godin
Gonzalo Lebrija, Estampida, 1999, C-print, 60 x 90 cm, Courtesy Galerie Laurent Godin, Artwork exhibited by: Laurent Godin

 

 

Marina Abramovic, The Current, 2017, single channel video, © Marina Abramovic Courtesy Marina Abramovic Archives, Artwork exhibited by : Krinzinger
Marina Abramovic, The Current, 2017, single channel video, © Marina Abramovic Courtesy Marina Abramovic Archives, Artwork exhibited by: Krinzinger

 

 

Left: Mircea Cantor, Diagonal Aleppo, 2017, Aleppo soap, aerated concrete, iron, rubble, trampoline, diameter: 23cm; trampolin: 244 x 250 cm, Courtesy The artist and Magazzino-Rome, Artwork exhibited by: Magazzino. Right: Larry Bell, Cube 55, 2007, Coated light gray and clear glass, 38.1 x 38.1 x 38.1 cm, ©Larry Bell. Photo © Pat Pollard Courtesy White Cube, Artwork exhibited by: White Cube
Left: Mircea Cantor, Diagonal Aleppo, 2017, Aleppo soap, aerated concrete, iron, rubble, trampoline, diameter: 23cm; trampolin: 244 x 250 cm, Courtesy The artist and Magazzino-Rome, Artwork exhibited by: Magazzino. Right: Marlène Mocquet, L’arbre bouche, 2011, Glazed stoneware, 12 x 20 x 16 cm, Courtesy Galerie Laurent Godin-Paris, Artwork exhibited by : Laurent Godin

 

 

Karla Black, In Place of Requirements, 2016, Cotton wool, paint, ribbon, 142 x 294 x 25 cm, Courtesy the artist and Galleria Raffaella Cortese-Milan. Photo: Lorenzo Palmieri, Artwork exhibited by: Raffaella Cortese
Karla Black, In Place of Requirements, 2016, Cotton wool, paint, ribbon, 142 x 294 x 25 cm, Courtesy the artist and Galleria Raffaella Cortese-Milan. Photo: Lorenzo Palmieri, Artwork exhibited by: Raffaella Cortese

 

 

Sylvie Fleury, C'est la vie!, 2017, Neon, 25 x 100 cm, Flavio Karrer, Artwork exhibited by: Karma International
Sylvie Fleury, C’est la vie!, 2017, Neon, 25 x 100 cm, Flavio Karrer, Artwork exhibited by: Karma International

 

 

Tadashi Kawamata, Destruction no. 8, 2016, Balsa wood and acrylic paint on plywood, 153 x 210 x 20 cm, © The Artist, Courtesy Annely Juda Fine Art-London, Artwork exhibited by: Annely Juda Fine Art
Tadashi Kawamata, Destruction no. 8, 2016, Balsa wood and acrylic paint on plywood, 153 x 210 x 20 cm, © The Artist, Courtesy Annely Juda Fine Art-London, Artwork exhibited by: Annely Juda Fine Art

 

 

Kaz Oshiro, Three Steel Beams, 2016, Acrylic on canvas, 33 x 244 x 168 cm, Courtesy the artist and galerie frank elbaz, Artwork exhibited by: frank elbaz
Kaz Oshiro, Three Steel Beams, 2016, Acrylic on canvas, 33 x 244 x 168 cm, Courtesy the artist and galerie frank elbaz, Artwork exhibited by: frank elbaz

 

 

Kyungah Ham, What you see is the unseen / Chandeliers for Five Cities SR01-01 1516, North Korean hand embroidery, silk threads on cotton, middle man, anxiety, censorship, ideology, wooden frame, approx. 1900hrs/2persons, 180 x 268 cm, Curtesy Kukje Gallery and Tina Kim Gallery, Artwork exhibited by: Kukje Gallery / Tina Kim Gallery
Kyungah Ham, What you see is the unseen / Chandeliers for Five Cities SR01-01 1516, North Korean hand embroidery, silk threads on cotton, middle man, anxiety, censorship, ideology, wooden frame, approx. 1900hrs/2persons, 180 x 268 cm, Curtesy Kukje Gallery and Tina Kim Gallery, Artwork exhibited by: Kukje Gallery / Tina Kim Gallery

 

 

Left: Mary Kelly, Shrew, December, 1970, 2017, Compressed lint, variant 2 of 3, 53.3 x 44.5 x 5.1 cm, ©Mary Kelly / Courtesy the artist and Mitchell-Innes & Nash, NY, Artwork exhibited by: Mitchell-Innes & Nash. Right: Marlène Mocquet, L'arbre bouche, 2011, Glazed stoneware, 12 x 20 x 16 cm, Courtesy Galerie Laurent Godin-Paris, Artwork exhibited by : Laurent Godin
Left: Mary Kelly, Shrew, December, 1970, 2017, Compressed lint, variant 2 of 3, 53.3 x 44.5 x 5.1 cm, ©Mary Kelly / Courtesy the artist and Mitchell-Innes & Nash, NY, Artwork exhibited by: Mitchell-Innes & Nash. Right: Marlène Mocquet, L’arbre bouche, 2011, Glazed stoneware, 12 x 20 x 16 cm, Courtesy Galerie Laurent Godin-Paris, Artwork exhibited by : Laurent Godin

 

 

Monica Bonvicini, Belts Balls, 2017, Black leather men's belts, 40 x 40 x 40 cm, ©Monica Bonvicini / Courtesy the artist and Mitchell-Innes & Nash, NY, Artwork exhibited by: Mitchell-Innes & Nash
Monica Bonvicini, Belts Balls, 2017, Black leather men’s belts, 40 x 40 x 40 cm, ©Monica Bonvicini / Courtesy the artist and Mitchell-Innes & Nash, NY, Artwork exhibited by: Mitchell-Innes & Nash

 

 

Pablo Reinoso, White Sand, 2017
Pablo Reinoso, White Sand, 2017

 

 

Lucie Picandet, Le cœur d’Hui et ses laveurs de conscience Celui que je suis – Paysage intérieur 3, 2017, Watercolor on paper, 77 x 117,5 cm, André Morin, Artwork exhibited by: Georges-Philippe & Nathalie Vallois
Lucie Picandet, Le cœur d’Hui et ses laveurs de conscience Celui que je suis – Paysage intérieur 3, 2017, Watercolor on paper, 77 x 117,5 cm, André Morin, Artwork exhibited by: Georges-Philippe & Nathalie Vallois

 

 

Left: Jim Dine, Portrait of Jim Dine, 2017, © Diana Michener, Artwork exhibited by: Templon. Right: William Kentridge, Lexicon, 2017, Bronze, Dimensions variables, Courtesy: the artist and Galerie Marian Goodman, Artwork exhibited by: Marian Goodman
Left: Jim Dine, Portrait of Jim Dine, 2017, © Diana Michener, Artwork exhibited by: Templon. Right: William Kentridge, Lexicon, 2017, Bronze, Dimensions variables, Courtesy: the artist and Galerie Marian Goodman, Artwork exhibited by: Marian Goodman

 

 

Thomas Struth, Neutral Buoyancy Laboratory, 2017, Chromogenic print, front-mounted on acrylic, 212 x 390 cm, ©Thomas Struth, Courtesy: the artist and Galerie Marian Goodman, Artwork exhibited by: Marian Goodman
Thomas Struth, Neutral Buoyancy Laboratory, 2017, Chromogenic print, front-mounted on acrylic, 212 x 390 cm, ©Thomas Struth, Courtesy: the artist and Galerie Marian Goodman, Artwork exhibited by: Marian Goodman

 

 

Valentin Carron, Bottle Man (Diagonally), 2017, 142 bottles made of hand blown glass, 31 x 186 x 186 cm, Courtesy Galerie Eva Presenhuber-Zurich Photos Stefan Altenburger Photography-Zurich, Artwork exhibited by: Eva Presenhuber
Valentin Carron, Bottle Man (Diagonally), 2017, 142 bottles made of hand blown glass, 31 x 186 x 186 cm, Courtesy Galerie Eva Presenhuber-Zurich Photos Stefan Altenburger Photography-Zurich, Artwork exhibited by: Eva Presenhuber

 

 

Yves Klein, F 118, 1961, Carton brulé mounted on panel, 77,5 x 61 x 6 cm, Galerie Natalie Seroussi, Artwork exhibited by: Natalie Seroussi
Yves Klein, F 118, 1961, Carton brulé mounted on panel, 77,5 x 61 x 6 cm, Galerie Natalie Seroussi, Artwork exhibited by: Natalie Seroussi

 

 

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