ART CITIES:Paris-Rineke Dijkstra

 

 “In my work there is a documentary aspect which consists in describing individual situations as revealing examples of a whole context. There is also a psychological aspect which focuses on the attitude of a particular individual in a given situation. I am trying to find a balance between what reflects a general context and what is revealed of the individual sphere” -Rineke Dijkstra

By Efi Michalarou
Photo: Marian Goodman Gallery Archive

Known for her internationally acclaimed series of beach portraits depicting teenagers on the beaches of South Carolina, Poland or Ukraine (1992-2002), Rineke Dijkstra has also been producing video portraits since 1996. Two new videos: “Marianna (The Fairy Doll)” and “The Gymschool, St Petersburg”, both filmed in Russia and commissioned by Manifesta (European Biennial of Contemporary art) for its last edition in 2014 are on show at the Marian Goodman Gallery Paris. Rythmic gymnastics, born in the ex-USSR in the 40s, demands incredible body flexibility and a strict discipline. While staying in St Petersburg, Rineke Dijkstra was fascinated by the skills of these young gymnasts and decided to conduct a study. Contrary to other girls of the same age these gymnasts are trained to conceal their emotions and it’s only when they make a mistake in their choreography that a glimmer of their real personality breaks through the controlled facade. The Gymschool, St Petersburg is projected on three screens in the downstairs gallery. In her video Marianna (The Fairy Doll) we are introduced to a young classical dancer during a working session. The video follows one of her rehearsals in the studio of the Ilya Kuznetsov Children’s Ballet school in Moscow. Dijkstra delivers a touching portrait of this ballerina who has set out on the path to realize the dream of millions of young girls. This eloquent film bears witness to both Marianna’s determination and dedication as well as her fragility and vulnerability. It is not by chance that Rineke Dijkstra is interested in the transition from childhood to adolescence; a time when every individual builds his or her own identity and begins to present themselves in the way they wish to be perceived. Full of humanity and empathy Dijkstra creates a real intimacy with her young models. Rineke Dijkstra’s films behave like a mirror, we see how the young people position themselves in front of her lens, then through one false movement their guard is let down and their real personas are brought into sharp relief and reflected back at us.

Info: Marian Goodman Gallery, 79 Rue du Temple, Paris, Duration: 13/1-21/2/15, Days & Hours: Tue-Sat: 11:00-19:00, www.mariangoodman.com