ART-PRESENTATION: Mary & the Volcano
How do artistic processes come about, what inspires artists? 200 years ago, in 1816, the “Year Without a Summer” when especially Southern Europe suffered under an abnormally severe cold spell resulting from the eruption of Mount Tambora in Indonesia, the bad weather drove Mary Shelley, who was staying at Lake Geneva, to write her novel Frankenstein.
By Dimitris Lempesis
Photo: Kunst im Tunnel Archive
Setting out from the “Summer of Ghosts” of 1816 the exhibition “Mary & the volcano (A meteorological phantasmagoria)”presents works by 21 artists from the sphere of the Kunstakademie Düsseldorf. The works’ dates of origin range from 1816 to the present. Based on a historical event the artists reflect on the main features of creative action by means of drawings, paintings, sculptures, sound installations or contemporary works such as video and performance. Conceptually the exhibition considers itself to be a wholeness merged from its individual artworks similar to the constituent elements of a system within a lava flow. The villa and the volcano form both the framework of the exhibition as well as two poles communicating through the tunnel of art. At the beginning the visitor enters a work by Rita McBride. It depicts the ground plan of Le Corbusier’s famous modernist icon: Villa Savoye. The ground plan is tailored the particular spatiality of KIT. McBride’s villa serves as a salon for an arrangement of some historical exhibits by Elise Concordia Crola and Johann Wilhelm Schirmer in conjunction with works by Michael Buthe, Elisabeth Peyton as well as the original lava cast model of Hans Hollein’s “Museum Vulcania”. Just outside the villa, “Gothic” (1986) by Harkeerat Mangat shows a re-make of Ken Russell’s horror film that tells the story of five art students who wander through creative displays at the Kunstakademie, in search of a non-productive experience. Towards the villa’s exit the sound of rain (recorded by Katharina Fritsch in 1987) reverberates, accompanying the visitor all the way down the volcano’s energy field. This area is dominated by Elmar Hermann’s room-high sculpture “Frankenstein (Lay All your Love on Me)”. The sculpture is based on a movie still from James Whale’s adaptation of Mary Shelley’s horror classic Frankenstein. The volcano’s radius encompasses further works of young artists such as: Soya Arakawa, Claudia Barth or Josefine Reisch & Nora Hansen who react rather processually to the central themes of the exhibition. In a screening room at the end of the tunnel “Viktor Al Manouchi” by Hedda Schattanik and Roman Szczesny is shown. In addition a film series is realized by Kania & Appelbe on selected dates.
Info: Kunst im Tunnel (KIT), Mannesmannufer 1b, Düsseldorf, Duration 14/5-14/8/16, Days & Hours: Wed-sun 11:00-18:00, www.kunst-im-tunnel.de
