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Judith Hopf, Installation view Stepping Stairs at KW Institute for Contemporary Art, Photo: Frank Sperling

ART CITIES:Berlin-Judith Hopf

Since the 1990s, Judith Hopf has mastered an independent artistic language that unswervingly manages to stake out new ground, be it in …

Maria Thereza Alves, Seeds of Change: New York - A Botany Colonization, Exhibition view at Michel Rein Gallery, 2018, Courtesy the artist and Michel Rein-Paris/Brussels, © Florian Kleinefenn

ART CITIES:Paris-Maria Thereza Alves

Maria Thereza Alves’ long-term project “Seeds of Change” started in 2002 and studies settler colonialism, slavery, global migration, and commodification through the …

Axel Kasseböhmer, Meereslandschaft 8, 2003, Oil on canvas, 120 x 160 cm, Sprüth Magers Gallery Archive

ART CITIES:Berlin-Axel Kasseböhmer

Axel Kasseböhmer earned a reputation at the beginning of the 1980’s for his enigmatic paintings that called to mind segments of well-known …

Sheila Hicks

ART CITIES:Paris-Sheila Hicks

Throughout her career, Sheila Hicks has been a groundbreaking artist using textiles and fiber as her material. Her contributions to the art …

Mat Collishaw, All Things Fall, 2014-17, Aluminium, LED Lights, Motor, Plaster, Resin, Steel, 200 x 200 x 200 cm, Courtesy Gary Tatintsian Gallery Gallery and artist’s studio

ART CITIES:Moscow-Mat Collishaw

An important member of the Young British Artists, Mat Collishaw creates works that confronts issues of moral ambiguity with formally stunning and …

Louise Nevelson, Dawn’s Presence – Three, 1975, Wood painted white, 312.4 cm x 322.6 cm x 251.5 cm, © 2017 Estate of Louise Nevelson/Artists Rights Society (ARS)-New York

ART CITIES:N.York-Louise Nevelson

Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist Movement. In her most iconic works, she utilized …

Francis Alÿs, Beirut Art Center Archive

ART CITIES:Beirut-Francis Alÿs

Francis Alÿs’s personal, ambulatory explorations of cities form the basis for his practice, through which he compiles extensive and varied documentation that …

Galerie Les Filles du Calvaire

ART CITIES:Paris-Openings 25-28/1/18

The exhibition “Tapisseries et estampes” highlights the woven work of Etel Adnan. Large colored tapestries, with sensitive lines, objects of a joint …

Farhad Moshiri, First Snow 010B, 2017, Handembroidered beads on canvas on board, 93 x 117 cm, © Farhad Moshiri, Photo: Ulrich Ghezzi, Courtesy Galerie Thaddaeus Ropac London/Paris/Salzburg

ART CITIES:Salzburg-Farhad Moshiri

Recognized for his ironic pieces of art that represent hybrids between traditional Iranian forms and those of the globalized pop culture widespread …

Fabio Mauri, Maison d'artiste (Senza Arte), 1991, Iron, wood core plywood, plaster, oil paint, 55 x 78 cm, © Estate Fabio Mauri, Courtesy the Estate and Hauser & Wirth

ART CITIES:N.York-Fabio Mauri

After the World War II, images filtered into Italy that portrayed, in horrifying detail, the concentration camp victims of Nazi Germany. At …

Sofia Hulten, Mutual Annihilation, 2008, Four-channel video, 85’ 22’, chest of drawers 95 x 73 x50 cm, Berlinische Galerie – Landesmuseum fur Modern Kunst-Fotografie und Architektur, © 2018 Sofia Hulten, ProLitteris-Zurich, Photo: Sofia Hulten

ART CITIES:Zurich-Sofia Hultén

Sofia Hultén’s works start with found objects, unremarkable everyday items or materials from the streets, the world of DIY stores and workshops, …

Glenn Brown, Ain't No Flies on the Lamb of God, 2017, Oil paint on acrylic, fibreglass and stainless steel on bronze base, 219 x 50 x 40 cm left, 235 x 62 x 60 centre, 206 x 60 x 42 cm right, Gagosian Gallery Archive

ART CITIES:London-Glenn Brown

Glenn Brown is known for the use of art historical references in his paintings. Starting with reproductions from other artist’s works, Brown …

Installation view, Shirin Neshat, Tooba, 2002, Photo: Universalmuseum Joanneum/N. Lackner, © Shirin Neshat, Courtesy Gladstone Gallery-New York/Brüssel

ART CITIES:Gratz-Shirin Neshat

Raised in Iran and now living in the U.S.A, Shirin Neshat occupies a central role in the discourse on relations between the …

Alessandro Balteo-Yazbeck, Eames-Derivative (small version), 2006–13, From the series Cultural Diplomacy: An Art We Neglect, In collaboration with Media Farzin, 1242 custom-made slotted cards, silk thread with metal fixtures, 5 framed vintage magazine ads, three narrative wall labels, vinyl wall lettering, glass and wood platform., Installation dimensions variable: Platform: 594 cm long, with the house of cards on top 150 cm high approx., Framed ads: each 54 x 43 cm approximately, Vinyl wall lettering minimum size: 75 x 520 cm, Edition of 6, Green Art Gallery Archive

ART CITIES:Dubai-Alessandro Balteo-Yazbeck

Since the mid-90’s Alessandro Balteo-Yazbeck has developed a hybrid practice that incorporates the activities of a researcher, archivist, historian and curator. Working …