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TRIBUTE, Page 8

Enoc Perez, Casa Malaparte (Day), 2008, Oil on canvas, 234 x 366 cm, © the artist, Photo: Carlo Vannini

ART-TRIBUTE:Rehang, Part II

For the first time since the opening of Collezione Maramotti in October 2007, ten rooms on the second floor of the permanent …

Krištof Kintera, From the exhibition Postnaturalia, 2017, Collezione Maramotti, Reggio Emilia, 2019, Photo Dario Lasagni

ART-TRIBUTE:Rehang, Part I

For the first time since the opening of Collezione Maramotti in October 2007, ten rooms on the second floor of the permanent …

Amar Kanwar, The Lightning Testimonies, 2007, Eight-channel video installation, color and b/w, sound, Duration 32 min 31 sec, Co-production Thyssen-Bornemisza Art Contemporary and Public Press-New Delhi, Thyssen-Bornemisza Art Contemporary Collection, Courtesy the artist

ART-TRIBUTE:Amar Kanwar,Part II

Amar Kanwar’s work focuses on such issues as nationalism, politics, justice, power, violence and sexual abuse in the Indian subcontinent. His installations …

Amar Kanwar, The Scene of Crime, 2011, Single-channel video installation, color, sound, 42 min., overall dimensions variable, Coproduction for Museo Nacional Thyssen-Bornemisza, with the support of Centre Pompidou, Thyssen-Bornemisza Art Contemporary Collection, Courtesy the artist and marian Goodman Gallery-Paris/New York

ART-TRIBUTE:Amar Kanwar,Part I

Amar Kanwar’s work focuses on such issues as nationalism, politics, justice, power, violence and sexual abuse in the Indian subcontinent. His installations …

Alberto Burri, Rosso Plastica, 1963, Plastic, acrylic, vinavil and combustion on canvas, 80 x 100 cm, © Tornabuoni Art

ART-TRIBUTE:Alberto Burri

Alberto Burri was a master of 20th Century art, his works successfully blur the line between painting and sculpture. As a result …

Lee Bul, Mon grand récit: Weep into stones..., 2005, Exhibition view "Lee Bul: Crash", Gropius Bau, 2018, Photo: Mathias Völzke

ART-TRIBUTE:Lee Bul-Crash,Part II

Throughout her 30-year artistic career, Lee Bul has been witness to South Korea’s evolution, from military dictatorship to democracy in perpetual confrontation …

Lee Bul, Willing To Be Vulnerable, 2015–2016, Exhibition view Hayward Gallery, 2018, Photo: Maxie Fischer, photo courtesy: Gropius Bau

ART-TRIBUTE:Lee Bul-Crash,Part I

Throughout her 30-year artistic career, Lee Bul has been witness to South Korea’s evolution, from military dictatorship to democracy in perpetual confrontation …

Regina Silveira, (Brazilian, b. 1939), Biscoito arte (Art cookie) [detail], 1976, C-prints (diptych). 74.9 × 99.1 cm, 99.1 × 99.1 cm, 177 × 101 cm overall, Collection of Fernanda Feitosa and Heitor Martins, © Regina Silveira. Courtesy of the artist and Pinacoteca de São Paulo

ART-TRIBUTE:Radical Women,Part II

Amidst the tumult and revolution that characterized the latter half of the 20th Century in Latin America and the USA, women artists …

Feliza Bursztyn, Cama (Bed), 1974, Assemblage with stainless steel scrap, cot, satin sheet, and motor, 110 × 180 × 70 cm, Museo Nacional de Colombia, © Feliza Bursztyn, Photo: Andrés Mauricio López, Courtesy of Museo Nacional de Colombia

ART-TRIBUTE:Radical Women,Part I

Amidst the tumult and revolution that characterized the latter half of the 20th Century in Latin America and the USA, women artists …

Left: Rachel Whiteread, "LOOK, LOOK, LOOK", 2012, Resin, Three panels each 189.5 × 39.5 × 15, Private Collection; Photo courtesy the artist and Mike Bruce. Right: Installation View: RACHEL WHITEREAD, © Belvedere, Vienna, 2018, Photo: Johannes Stoll

ART-TRIBUTE:Rachel Whiteread,Part II

Rachel Whiteread’s approach to sculpture is predicated on the translation of negative space into solid form. Casting from everyday objects, oftentimes using …

Catherine Opie, Untitled #10 (1999), 1999, c-print, 40.6 x 50.8 cm print, 55.9 x 66 cm framed, Edition of 5, © Catherine Opie, Courtesy the artist and Lehmann Maupin Gallery

ART-TRIBUTE:American Landscape

Landscape has inspired painters, it was the canvas upon which created the most impressive and great works by the artists of Land …

Rachel Whiteread, Untitled (Clear Torso), 1993, Polyurethane resin, 100 x 180 x 255 mm, Courtesy of the artist; Photo: Courtesy of the artist

ART-TRIBUTE:Rachel Whiteread,Part I

Rachel Whiteread’s approach to sculpture is predicated on the translation of negative space into solid form. Casting from everyday objects, oftentimes using …