TRIBUTE – Page 8 – dreamideamachine ART VIEW

Robert Ryman, Chapter, 1981, Oil on linen, 4 metal fasteners , © Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN-GP, © Adagp, Paris 2018

ART-TRIBUTE:The Adventure of Colour,Part II

From the very first stages of the creation of the Centre Pompidou in 1977, color, used as a code is at the …

Left: Georg Baselitz, Ökonomie , 1965, oil on canvas,162 x 130 cm, Private Collection, Photo: Jochen Littkemann-Berlin, © Georg Baselitz 2019. Right: Georg Baselitz, Verschiedene Zeichen, 1965, oil on canvas,162 x 130 cm, Fondation Beyeler-Basel, Photo: Robert Bayer, © Georg Baselitz 2019

ART-TRIBUTE:The Early Years of the Old Masters

In the turbulent 1960s of the Federal Republic of Germany, Georg Baselitz, Gerhard Richter, Sigmar Polke and Anselm Kiefer laid the foundation …

Javier Téllez, Œdipus Marshal (Video still), 2006, ed. 3/5, Video projection, S16mm transferred to digital video (color, sound), 30 min, Courtesy S.M.A.K

ART-TRIBUTE:The Collection (I)-Highlights for a Future,Part III

The S.M.A.K. Collection is one of the largest collections of contemporary art in Belgium. On the occasion of its 20th Anniversary, S.M.A.K. …

Sven Augustijnen, AWB 082-3317 7922, 2012, Mixed media, Variable Dimensions, Photo: Armand Quetsch, Courtesy S.M.A.K.

ART-TRIBUTE:The Collection (I)-Highlights for a Future,Part II

The S.M.A.K. Collection is one of the largest collections of contemporary art in Belgium. On the occasion of its 20th Anniversary, S.M.A.K. …

François Morellet, Pier and Ocean, 2014, In collaboration with Tadashi Kawamata, © ADAGP, Paris, 2017, © Tadashi Kawamata, Photo: archives kamel mennour, Courtesy the artist and kamel mennour-Paris/London

ART-TRIBUTE:The Adventure of Colour, Part I

From the very first stages of the creation of the Centre Pompidou in 1977, color, used as a code is at the …

Ann Veronica Janssens, Untitled (blue glitter) [Detail], 2015, Blue glitter, Dimensions variable, Photo: Dirk Pauwels, Courtesy S.M.A.K.

ART-TRIBUTE:The Collection (I)-Highlights for a Future,Part I

The S.M.A.K. Collection is one of the largest collections of contemporary art in Belgium. On the occasion of its 20th Anniversary, S.M.A.K. …

Enoc Perez, Casa Malaparte (Day), 2008, Oil on canvas, 234 x 366 cm, © the artist, Photo: Carlo Vannini

ART-TRIBUTE:Rehang, Part II

For the first time since the opening of Collezione Maramotti in October 2007, ten rooms on the second floor of the permanent …

Krištof Kintera, From the exhibition Postnaturalia, 2017, Collezione Maramotti, Reggio Emilia, 2019, Photo Dario Lasagni

ART-TRIBUTE:Rehang, Part I

For the first time since the opening of Collezione Maramotti in October 2007, ten rooms on the second floor of the permanent …

Amar Kanwar, The Lightning Testimonies, 2007, Eight-channel video installation, color and b/w, sound, Duration 32 min 31 sec, Co-production Thyssen-Bornemisza Art Contemporary and Public Press-New Delhi, Thyssen-Bornemisza Art Contemporary Collection, Courtesy the artist

ART-TRIBUTE:Amar Kanwar,Part II

Amar Kanwar’s work focuses on such issues as nationalism, politics, justice, power, violence and sexual abuse in the Indian subcontinent. His installations …

Amar Kanwar, The Scene of Crime, 2011, Single-channel video installation, color, sound, 42 min., overall dimensions variable, Coproduction for Museo Nacional Thyssen-Bornemisza, with the support of Centre Pompidou, Thyssen-Bornemisza Art Contemporary Collection, Courtesy the artist and marian Goodman Gallery-Paris/New York

ART-TRIBUTE:Amar Kanwar,Part I

Amar Kanwar’s work focuses on such issues as nationalism, politics, justice, power, violence and sexual abuse in the Indian subcontinent. His installations …

Ilona Keserü, Wall-Hanging with Tombstone Forms (Tapestry), 1969, Stitching on chemically dyed linen, 157.5 × 374 cm, The Metropolitan Museum of Art Collection, Purchase, The Modern Circle Gift, 2017, Accession Number: 2017.300

ART-TRIBUTE:Epic Abstraction, Pollock to Herrera, Part II

While Jackson Pollock was celebrated and canonized for his drip paintings for a significant portion of his short life, Carmen Herrera, an …

Sol LeWitt, Wall Drawing 610, Isometric figure with color ink washes superimposed, June 1989, Color ink wash, Yale University Art Gallery, Gift of the LeWitt Collection, Chester, Connecticut, in honor of Suzanne Hellmuth and Jock Reynolds, First Installation: Fundacio Joan Miró-Barcelona, First Drawn By David Higginbotham, Elizabeth Sacre

ART-TRIBUTE: Sol LeWitt-A Wall Drawing Retrospective,Part III

Sol LeWitt (who stressed the idea behind his work over its execution) is widely regarded as one of the leading exponents of …

Robert Motherwell, Elegy to the Spanish Republic No. 70, 1961, Oil on canvas, 175.3 x 289.6 cm, The Metropolitan Museum of Art Collection, Anonymous Gift, 1965, Accession Number: 65.247, © Dedalus Foundation /Licensed by VAGA, New York, NY

ART-TRIBUTE:Epic Abstraction, Pollock to Herrera,Part I

While Jackson Pollock was celebrated and canonized for his drip paintings for a significant portion of his short life, Carmen Herrera, an …

Sol LeWitt, Wall Drawing 1042, Isometric form, May 2002, Acrylic paint, Courtesy of the Estate of Sol LeWitt, First Installation: Donald Young Gallery-Chicago, First Drawn By Anthony Elms, John Hogan, Colleen Kelsey

ART-TRIBUTE:Sol LeWitt-A Wall Drawing Retrospective,Part II

Sol LeWitt (who stressed the idea behind his work over its execution) is widely regarded as one of the leading exponents of …

Sol LeWitt, Wall Drawing 260A, On blue walls, all two-part combinations of white arcs from corners and sides, and white straight, not straight, and broken lines within a 36-inch (90 cm) grid, June 2000, White crayon, black pencil on blue wall, LeWitt Collection, Chester, Connecticut, First Installation By Museum of Contemporary Art-Chicago, First Drawn By: Mio St. Clair, Ginger Wolfe, James Kendrick, Courtesy LeWitt Collection and MASS MoCA

ART-TRIBUTE:Sol LeWitt-A Wall Drawing Retrospective,Part I

Sol LeWitt (who stressed the idea behind his work over its execution) is widely regarded as one of the leading exponents of …

Bruce Nauman. Contrapposto Studies, I through VII. 2015/16. Seven-channel video (color, sound, continuous duration), dimensions variable. The Museum of Modern Art, New York. Jointly owned by The Museum of Modern Art-New York, acquired in part through the generosity of Agnes Gund and Jo Carole and Ronald S. Lauder; and Emanuel Hoffmann Foundation, on permanent loan to Öffentliche Kunstsammlung Basel. © 2018 Bruce Nauman/Artists Rights Society (ARS)-New York. Photo courtesy the artist and Sperone Westwater, New York

ART-TRIBUTE:Bruce Nauman-Disappearing Acts, Part II

Bruce Nauman is a central figure in Contemporary Art and one of the most influential artists of his time. Throughout his career, …

Bruce Nauman. All Thumbs. 1996. Plaster, component A: 25.4 × 14 × 10.2 cm; component B: 24.1 × 10.2 × 10.8 cm. Private collection, courtesy Sperone Westwater-New York. © 2018 Bruce Nauman/Artists Rights Society (ARS)-New York. Photo Courtesy the artist and Sperone Westwater-New York

ART-TRIBUTE:Bruce Nauman-Disappearing Acts, Part I

Bruce Nauman is a central figure in Contemporary Art and one of the most influential artists of his time. Throughout his career, …

Alberto Burri, Rosso Plastica, 1963, Plastic, acrylic, vinavil and combustion on canvas, 80 x 100 cm, © Tornabuoni Art

ART-TRIBUTE:Alberto Burri

Alberto Burri was a master of 20th Century art, his works successfully blur the line between painting and sculpture. As a result …

Lee Bul, Mon grand récit: Weep into stones..., 2005, Exhibition view "Lee Bul: Crash", Gropius Bau, 2018, Photo: Mathias Völzke

ART-TRIBUTE:Lee Bul-Crash,Part II

Throughout her 30-year artistic career, Lee Bul has been witness to South Korea’s evolution, from military dictatorship to democracy in perpetual confrontation …

Lee Bul, Willing To Be Vulnerable, 2015–2016, Exhibition view Hayward Gallery, 2018, Photo: Maxie Fischer, photo courtesy: Gropius Bau

ART-TRIBUTE:Lee Bul-Crash,Part I

Throughout her 30-year artistic career, Lee Bul has been witness to South Korea’s evolution, from military dictatorship to democracy in perpetual confrontation …