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TRIBUTE, Page 4

Lucio Fontana, Milano, 1962, Photo Ugo Mulas © Ugo Mulas Heirs. All rights reserved, © Fondazione Lucio Fontana by SIAE 2021

ART TRIBUTE:Stop Painting

Described by Peter Fischli, as “a kaleidoscope of repudiated gestures,” the exhibition “Stop Painting” explores a series of specific ruptures within the …

ART-TRIBUTE:Women and Performance

Performance Art’s fostering a mode of presentation free of the encumbrances of via-media offers artists the advantage of escaping the limitations of …

Enzo Mari, I luoghi deputati (The designated places), 1953, tempera on paper, 70 x 100 cm, Private collection, Photo: Benvenuto Saba

ART-TRIBUTE:Enzo Mari-Part II

Enzo Mari (1932-19/10/2020) attended the Brera Academy of Fine Arts (Milan) and dedicated himself to exploring the psychology of vision and design …

Enzo Mari, La mela e la farfalla, printing, 1958/1969, draft, polychrome print on coated paper, 193 x 203 mm. Archivio E. Mari, City of Milan, CASVA, Photo Gianluca Di Ioia - © Triennale Milano

ART-TRIBUTE:Enzo Mari, Part I

Enzo Mari (1932-19/10/2020) attended the Brera Academy of Fine Arts (Milan) and dedicated himself to exploring the psychology of vision and design …

Liu Xiaodong, From Hotan Project, Xinjiang, China, 2012, Edition for Parkett 91

ART-TRIBUTE:UNIQUE, Part III

In the exhibition “UNIQUE” are on view some sixty editions made by artists for Parkett since 1984 with unique elements and variations, …

Peter Fischli/David Weiss, Record, 1988, Edition for Parkett 17

ART-TRIBUTE: UNIQUE,Part II

In the exhibition “UNIQUE” are on view some sixty editions made by artists for Parkett since 1984 with unique elements and variations, …

John M Armleder, Untitled, 1997, Edition for Parkett 50/51

ART-TRIBUTE:UNIQUE

In the exhibition “UNIQUE” are on view some sixty editions made by artists for Parkett since 1984 with unique elements and variations, …