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PRESENTATION, Page 31

Mona Hatoum, Quarters, 1996. Collection Magasin III. Image © Mona Hatoum. Installation view, Mona Hatoum – Revisit, Magasin III Museum for Contemporary Art, 2022. Photo: Jean-Baptiste Béranger

PRESENTATION: Mona Hatoum, Part II

Mona Hatoum’s work dialogues, in an original and exemplary manner, with the major disciplines and Movements of contemporary art: Performance, Video, Kinetic …

Installation view: 8/XXX, Carlier | gebauer Gallery-Berlin, Courtesy Carlier | gebauer Gallery

PRESENTATION: 8/XXX

Founded in 1991 and directed by Marie-Blanche Carlier and Ulrich Gebauer the gallery promotes international contemporary art and currently represents over 30 …

Mona Hatoum, Vicious Circle, 1999. Collection Magasin III. Image © Mona Hatoum. Photo: Mattias Givell

PRESENTATION: Mona Hatoum

Mona Hatoum’s work dialogues, in an original and exemplary manner, with the major disciplines and Movements of contemporary art: Performance, Video, Kinetic …

Agnès Varda, Calder, Richier, Schlegel, Székely par Agnès Varda, Instalation view Galerie Nathalie Obadia-Brussels, 2022, Courtesy Galerie Nathalie Obadia

PRESENTATION: Agnès Varda

Agnès Varda’s films, photographs, and installations focus on documentary realism, feminist issues, and social commentary with a distinct experimental style. The only …

Tuesday Smillie, Sequin Light (Orange, with Kjerstin Rossi), 2021, Vinyl, textile, spray paint, sequins, plastic, twine, metal snap, metal rivets, 237.5 x 226.1 cm / 93 1/2 x 89 in, © Tuesday Smillie, Photo: Thomas Barratt, Courtesy the artist and Hauser & Wirth Gallery

PRESENTATION: The New Bend

The town of Boykin, also known as Gee’s Bend, is an intimate African American community located at the arc of a bend …

Theaster Gates, Vessel #29, 2020, Reduction fired clay body with manganese base glaze, 61 × 43.2 × 40.6 cm [24 × 17 × 16 in], © Theaster Gates, Courtesy the artist, Gagosian and Benaki Museum

PRESENTATION: Theaster Gates -Vessels

Theaster Gates’ practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works …

Left: Dominic Chambers, Untitled (Ife In Red), 2021, Oil on linen, 26 x 20 inches / 66 x 50 cm, Photo by Max Yawney, © Dominic Chambers, Courtesy the artist and Lehmann Maupin Gallery. Center: Dominic Chambers, Reverie in Blue (Kayla), 2021, Oil on linen, 66 x 56 inches / 167.6 x 142.2 cm Photo by Max Yawney, © Dominic Chambers, Courtesy the artist and Lehmann Maupin Gallery. Right: Dominic Chambers, After Albers (Africanus), 2021, Oil on linen, 60 x 60 inches / 152.4 x 152.4 cm, Photo by Max Yawney, © Dominic Chambers, Courtesy the artist and Lehmann Maupin Gallery

PRESENTATION: Dominic Chambers -Soft Shadows

Dominic Chambers creates vibrant paintings that simultaneously engage art historical models, such as color-field painting and gestural abstraction, and contemporary concerns around …

Kim Lim, C- Screen print, 1995, Screen print, 50 cm × 58 cm (19-11/16" × 22-13/16"), Courtesy Pace Gallery

PRESENTATION: Creating Abstraction

The group exhibition “Creating Abstraction” brings together seven female artists whose experimental approach to material and engagement with Modernism has pushed the …

Gillian Wearing in collaboration with Wieden+Kennedy, Wearing, Gillian, 2018. Color video, with sound, 5 min. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Council, 2019.67. © Gillian Wearing, courtesy Maureen Paley, London; Tanya Bonakdar Gallery, New York/Los Angeles; and Regen Projects, Los Angeles

PRESENTATION: Gillian Wearing

In her work, Gillian Wearing repeatedly focuses on a person’s self-expression in staged situations. She is interested in the views and behaviour …

WangShui, From Its Mouth Came a River of High-End Residential Appliances, 2018, video, 13′, loop, color, surround sound. Video still. Courtesy of the artist.

PRESENTATION:Mythologists

Perceptions of truth are widely mediated through moving images. While they can be used by those in authority to exert influence, this …

Left: Bharti Kher, Peacock, 2011, Wooden chair, saris, resin, 155 x 134.5 x 134.5/61 x 53 x 53, © Bharti Kher, Photo: Stefan Altenburger Photography Zürich, Courtesy the artist and Hauser & Wirth Gallery. Right: Pipilotti Rist, Wohnzimmerdisco ohne Angst (Living Room Disco without Fear), 2009, Installation for a living room; light projections, carpet, curtain, © Pipilotti Rist, Dimensions variable, Hauser & Wirth Gallery

PRESENTATION: Chromophilia

The name Chromophilia is adapted from David Batchelor‘s book “Chromophobia”. This book is concerned with the fear of corruption or contamination through …

Lee Bull Perdu XXV, 2019, Mother of pearl, acrylic paint on wooden base panel, steel frame, Triptych, 163.3 x 333.3 x 6.6 cm, © Lee Bul, Courtesy the artist and Thaddaeus Ropac Gallery

PRESENTATION: Lee Bul

Lee Bul’s work investigates the ways that contemporary art, architecture and technology have shaped both our real and imagined worlds. The artist …