ART-PRESENTATION: Danh Vo-oV hnaD

tudio Danh Vo Güldenhof. Danh Vo was born in Bà Rịa, Vietnam in 1975 and is currently based in Berlin and Mexico City and active worldwide. At the age of four, Vo fled Vietnam with his family on a boat handmade by his father. They were rescued at sea by a Danish freighter and moved to Denmark after living for a time in a refugee camp. Vo studied at the Royal Danish Academy of Fine Arts and Staatliche Hochschule für Bildende Künste Städelschule in Frankfurt, Germany.

By Dimitris Lempesis
Photo: National Museum of Art, Osaka Archive

Danh Vo, one of the worldʼs most prominent contemporary artists, presents “oV hnaD” in the National Museum of Art, Osaka, Japan is pleased to present the first solo exhibition at a Japanese art museum. Danh Voʼs works deal with his own experiences and family history, incorporating readymade objects rich in socio-political historical implications, collected materials such as photographs and letters, and objects produced by important people in his life. In these works, themes such as identity, power, history, hegemony, and eroticism emerge directly or figuratively, inviting viewers to adopt varying perspectives on a single object or phenomenon. For example, since last year Vo has been producing works related to key people in his life such his teacher, his father, his partner, and his nephew whom he regards as a muse. He intentionally blurs authorship, presenting an abstract painting on mirrored foil by Peter Bonde, who advised Vo to stop studying painting; calligraphic works by his father, also a collaborator in recent years; and photographs by his partner Heinz Peter Knes of Voʼs muse, his nephew Gustav. The viewer finds that when Vo appropriates works by people central to his own life and reconfigures them, an image of Vo himself paradoxically emerges. Another work “Central Rotunda / Winter Garden” (2011), consists of a late 19th-century crystal chandelier. This chandelier formerly hung in the Hotel Majestic in Paris, which later came under the jurisdiction of the French foreign ministry. In 1973, the Paris Peace Accords on restoring peace in Vietnam were signed under these chandeliers, and a nominal end to the Vietnam War was declared. After this came the fall of Saigon, the unification of North and South Vietnam, and the advent of a communist regime, which led in turn to Voʼs family fleeing their homeland. In 2009, during a residency at the Kadist Art Foundation Paris, Vo visited this site with his father and encountered in person what he had only seen in photographs. Afterward he negotiated with persons involved to acquire the chandelier, and transformed it into a work. In this manner, he pursues the evocation and substitution of personal memory and collective history, and explores how the meanings of acquired objects are transformed by context. The exhibition presents a comprehensive picture of Danh Vo, one of the worldʼs most talked-about contemporary artists. In addition to the above-mentioned works, it features approximately 40 pieces including new and recent ones, among them a collaborative project with the family of the late US Defense Secretary Robert McNamara, one of the major architects of the Vietnam War. Viewers can enjoy full immersion in the unique world Vo creates with his unparalleled capacity for selection and juxtaposition of objects. Another highlight is the installation of works in the galleries, their placement carefully thought out by Vo himself.

Info: Curator: Yuka Uematsu, National Museum of Art-Osaka, 4-2-55 Nakanoshima, Kita-ku, Osaka, Duration: 2/6-11/10/20, Days & Hours:Tue-Sun 10:00-17:00, www.nmao.go.jp

Danh Vo, Untitled, 2018, Collection of Honus Tandijono, Photo: Nick Ash, Courtesy the artist
Danh Vo, Untitled, 2018, Collection of Honus Tandijono, Photo: Nick Ash, Courtesy the artist

 

 

Danh Vo, All work, 2019, Installation view at the 58th Venice Biennale, 2019, Photo: Nick Ash, Courtesy the artist
Danh Vo, All work, 2019, Installation view at the 58th Venice Biennale, 2019, Photo: Nick Ash, Courtesy the artist

 

 

Danh Vo, Untitled, 2018, Collection of Honus Tandijono, Photo: Nick Ash, Courtesy the artist
Danh Vo, Untitled, 2018, Collection of Honus Tandijono, Photo: Nick Ash, Courtesy the artist