Currently browsing

Page 197

Tacita Dean, Antigone (Film still), 2018, 2 synchronized 35mm anamorphic color films, optical sound, with a running time of exactly 1 hour, continuous loop synced to start on the hour, © Tacita Dean, Courtesy the artist and Marian Goodman Gallery

ART CITIES:Copenhagen-Tacita Dean

The films, drawings and other works by Tacita Dean are extremely original. Her recent film portraits express something that neither painting nor …

Leo Villareal, Untitled, 2019, LEDs, custom software, electrical hardware, steel, 320 cm × 1,153.2 cm × 7.6 cm, © Leo Villareal, Courtesy the artist and Pace Gallery

ART CITIES:London-Leo Villareal

Leo Villareal works with LED lights to create complex, rhythmic artworks for both gallery and public settings. He focuses on identifying the …

Carlos Amorales, Peep Show, 2019 (detail). Courtesy the artist, kurimanzutto and Nils Stærk, Edition produced by Albarrán Bourdais, courtesy the artist

ART-PREVIEW:Carlos Amorales-The Factory

In his artistic research, Carlos Amorales is interested mainly in language and the impossibility/possibility of communicating through means that are unrecognizable or …

Exhibition view: Bronwyn Katz, Salvaged Letter, Peres Projects-Berlin, Courtesy the artist and Peres Projects

ART CITIES:Berlin-Bronwyn Katz

Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on …

Left: Dora Maar, Model in Swimsuit 1936, Photograph, gelatin silver on paper, 197 x 167 mm, The J. Paul Getty Museum, Los Angeles, © ADAGP, Paris and DACS, London 2019. Right: Dora Maar, Untitled (Hand-Shell) 1934, Photograph, gelatin silver print on paper, 401 x 289 mm, Centre Pompidou, Musée national d’art moderne, Paris, Photo © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / image Centre Pompidou, MNAM-CCI, © ADAGP, Paris and DACS, London 2019

PHOTO:Dora Maar

Dora Maar is often shrouded by Pablo Picasso’s monumental shadow, ardently depicted in his paintings, she became reductively known as his lover, …

Brice Marden’s studio, Tivoli, New York, 2019 Artwork © 2019 Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

ART CITIES:N.York-Brice Marden

Brice Marden continuously refines and extends the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from …

Eva Hesse, No title, 1957, Color-aid paper collage on cardboard, 15.4 × 27.3 cm, Allen Memorial Art Museum, Oberlin College, Oberlin, OH. Gift of Helen Hesse Charash, 1998.21.6, © The Estate of Eva Hesse, Courtesy Hauser & Wirth

ART CITIES:Vienna-Eva Hesse

Eva Hesse was one of the icons of American art in the 1960s, her work being a major influence on subsequent generations …

Left: Andres Serrano, “Black Dolls - Larry” Vintage Rag Doll (Infamous), 2019, Pigment print, back-mounted on dibond, wooden frame, 115,6 x 96,5 cm, Edition of 7 + 2 AP, © Andres Serrano, Courtesy the artist and Galerie Nathalie Obadia. Center” Andres Serrano, “Malcolm X - Car Air Freshener” Circa 1970’s (Infamous), 2019, Pigment print, back-mounted on dibond, wooden frame, 115,6 x 96,5 cm, Edition of 7 + 2 AP, © Andres Serrano, Courtesy the artist and Galerie Nathalie Obadia. Right: Andres Serrano, ““Klan Spirit II” 1930’s Ku Klux Klan Robe and Hood (Infamous), 2019, Pigment print, back-mounted on dibond, wooden frame, 115,6 x 96,5 cm, Edition of 7 + 2 AP, © Andres Serrano, Courtesy the artist and Galerie Nathalie Obadia

PHOTO:Andres Serrano-Infamus

Andres Serrano is notorious for the controversial content of his photographic works. His best-known pieces are large format images of objects (frequently …