ART-PREVIEW:Leonor Antunes

Leonor Antunes, Installation view of le plan pliable, Centre d’Art Contemporain de Bordeux (CAPC)-Bordeaux 2015, Courtesy the artist and Centre d’Art Contemporain de Bordeaux (CAPC)-Bordeaux. Photo: Nick AshEngaging with the histories of 20th Century architecture, design and art, the work of Leonor Antunes reflects on the functions of everyday objects, contemplating the potential of Modernist forms to be materialized as sculptures. Antunes investigates the coded values and invisible flow of ideas embedded within objects, transforming them into reimagined abstract structures.

By Dimitris Lempesis
Photo: Whitechapel Gallery Archive

Leonor Antunes’ work methodology involves the use of pre-existing elements and objects, which in many but not all cases are of architectural origin. She investigates what occurs when they are duplicated and/or relocated into time and spatial contexts that are foreign to them, and what new feelings and emotions they acquire upon such displacement.  Taking its title from British architect Alison Smithson’s description of how young people bring together elements of style to define their identity and social allegiances, “The frisson of the togetherness” is the title of Leonor Antunes’ first solo exhibition in a public gallery in the UK, it is a new site-specific commission by Whitechapel Gallery.  Antunes’ new commission is informed by two sculptors who lived in London: Mary Martin and Lucia Nogueira, Antunes has undertaken extensive research into both artists and their practice, and while both were known for their sculpture, Martin also made works on paper and weavings and Nogueira made jewellery. A number of hanging and floor-based sculptures made from materials including metal, leather and rope fill the space, illuminated by lights designed by the artist. The gallery floor is covered by an enlarged geometric pattern based on a drawing by Martin, and is made of cork and linoleum. Taking the form of open grids, the sculptures serve as screens or dividers, creating layers and influencing the viewer’s experience of the space. Lucia Nogueira created artworks using materials collected, adapted and juxtaposed with other everyday objects, found in the street or in junk shops. Examples of her jewellery are presented in sculptural glass display.

Info: Curator: Lydia Yee, Assistant Curator: Habda Rashid, Whitechapel Gallery, 77-82 Whitechapel High Street, London, Duration: 3/10/17-9/4/18, Days & Hours: Tue-Wed & Fri-sun 11:00-18:00, Thu 11:00-21:00, www.whitechapelgallery.org

Leonor Antunes, Installation view of le plan pliable, Centre d’Art Contemporain de Bordeux (CAPC)-Bordeaux 2015, Courtesy the artist and Centre d’Art Contemporain de Bordeaux (CAPC)-Bordeaux. Photo: Nick Ash
Leonor Antunes, Installation view of le plan pliable, Centre d’Art Contemporain de Bordeux (CAPC)-Bordeaux 2015, Courtesy the artist and Centre d’Art Contemporain de Bordeaux (CAPC)-Bordeaux. Photo: Nick Ash

 

 

Installation view of Leonor Antunes: I’ll Stand Like a Mirror Before You, New Museum-New York, 2015, Courtesy the artist and New Museum-NY
Installation view of Leonor Antunes: I’ll Stand Like a Mirror Before You, New Museum-New York, 2015, Courtesy the artist and New Museum-NY

 

 

Left: Installation view of Leonor Antunes: the last days in Chimalistac, Kunsthalle Basel-Basel, 2013, Courtesy the artist, Isabella Bortolozzi Gallery-Berlin, Air de Paris-Paris and Luisa Strina Gallery-Sao Paulo. Photo: Nick Ash. Right: Installation view of New work: Leonor Antunes, SFMOMA-San Francisco, 2016
Left: Installation view of Leonor Antunes: the last days in Chimalistac, Kunsthalle Basel-Basel, 2013, Courtesy the artist, Isabella Bortolozzi Gallery-Berlin, Air de Paris-Paris and Luisa Strina Gallery-Sao Paulo. Photo: Nick Ash. Right: Installation view of New work: Leonor Antunes, SFMOMA-San Francisco, 2016

 

 

Left & Right: Installation view o:f and then we raised the terrain so that I could see out, Leonor Antunes’ presentation for the Biennale Arte 2017, Courtesy the artist; kurimanzutto-Mexico City, Air de Paris-Paris, and Luisa Strina Gallery-Sao Paulo, Photo: Nick Ash, 2017
Left & Right: Installation view o:f and then we raised the terrain so that I could see out, Leonor Antunes’ presentation for the Biennale Arte 2017, Courtesy the artist; kurimanzutto-Mexico City, Air de Paris-Paris, and Luisa Strina Gallery-Sao Paulo, Photo: Nick Ash, 2017

 

 

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