PRESENTATION:Alexandra Grant-Everything Belongs to the Cosmos

Alexandra Grant, Metropolis, 2021, From the series “Antigone 3000”, Acrylic paint, sumi ink, acrylic ink, screenprint and colored pencil on paper, 249 × 765 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer GalleryBorn in USA, Alexandra Grant explores of the use of text and language in various media—painting, drawing, sculpture, film, and photography—probes ideas of translation, identity, dis/location, and social responsibility. Grant regularly collaborates with other artists, writers, and philosophers, resulting in creations that embody the synergy between words and visuals.

By Dimitris Lempesis
Photo: Carlier|Gebauer Gallery Archive

Alexandra Grant, Dämmerung (LA, Berlin, Paris), 2021, Collage, acrylic paint, acrylic ink and colored pencil on paper, 211 × 152 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery
Alexandra Grant, Dämmerung (LA, Berlin, Paris), 2021, Collage, acrylic paint, acrylic ink and colored pencil on paper, 211 × 152 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery

“Everything Belongs to the Cosmos” is an installation of painted works by Los  Alexandra Grant based on texts by Polish poets and writers Anna Adamowicz, Krystyna Dąbrowska, Julia Fiedorczuk, Bianka Rolando, Olga Tokarczuk, and Urszula Zajączkowska. Begun in 2021, the work is designed to create a chapel for reflection and space for hope, following in the rich tradition of contemplative chapel spaces created by artists as diverse as Henri Matisse, Mark Rothko, Ilise Greenstein and Theaster Gates. The six participating poets were chosen and commissioned in 2021 and early 2022 with the assistance of Marcin Orliński and the contributed work was translated from Polish into English by Antonia-Lloyd Jones. The curiosity that drives Grant’s career is in literary texts and making them visual. Since 2014, her work has revolved around Sophocles’ myth of Antigone, interpreting her utterance “I was born to love not to hate”. She has painted Antigone’s voice with drawn lines (to represent the rule of law) and bright pours of paint (which capture the chaos of life). In “Neunte Universum”, 2020, painted and exhibited in Berlin in 2021, her “Antigone” series expanded to include the universe itself. This painting was technically and culturally a springboard for the exhibition. The Polish poets and writers featured in Grant’s painted “Cosmos” span generations and levels of recognition, with Tokarczuk the winner of the 2019 Nobel Prize in Literature and are meant to highlight the current writing scene in Poland as each interprets an aspect of the cosmos. Taking each writer’s text as a cue, Grant created one large-scale painting based on each text in English, each on paper and at a scale of 3.9 meters tall and 3 meters wide or larger, the largest works she has ever created. The installation of the six paintings is meant to create a chapel space – and quite literally a cosmos – for and of women’s voices. Engaging the community of Polish poets and writers during the pandemic, the Ukraine war and refugee crisis, as well as the changing political circumstances for women in Poland has allowed for cross-cultural exchange and opens a conversation around the purpose of and hope that writing, art-making, reflection and community can bring. By commissioning the poets and writers and having their work translated to English by Antonia Lloyd-Jones, Grant’s aim is “to further translate their words into the visible and visual”. The title of the exhibition captures both a sense of wonder and a surrender to reality and circumstances, which allows for a transcendence of material conditions. Everything Belongs to the Cosmos is a safe haven: a place for reflection and hope, both part of and apart from the chaos of the world. Grant’s interest in Polish literature began over 20 years ago, when she first read Wislawa Szymborska’s work and embarked on representing the poem “Possibilities” as a drawing without paper, made out of wire, in 2001. These sculptures and works stemming from them are now the subject of a solo show at the Adam Mickiewicz Museum of Literature in Warsaw, Poland, “Alexandra Grant. Word. Image. Space”, a survey of her work that presents a long-term interest in Polish literature and experimental writing, focusing on works inspired by Szymborska and Michael Joyce.

Photo: Alexandra Grant, Metropolis, 2021, From the series “Antigone 3000”, Acrylic paint, sumi ink, acrylic ink, screenprint and colored pencil on paper, 249 × 765 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery

Info: Carlier|Gebauer Gallery, Markgrafenstraße 67, Berlin, Germany, Duration: 23/11/2024-11/1/2025, Days & Hours: Tue-Sat 11:00-18:00, www.carliergebauer.com/

Left: Alexandra Grant, Blaue Unendlichkeit (Blue Infinity), 2020, Silk screen, colored pencil, colored marker, acrylic paint, watercolor, acrylic ink and sumi ink on paper, 339 × 302 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer GalleryRight: Alexandra Grant, Libelle (LA, Berlin, Paris), 2021, Collage, acrylic paint, acrylic ink and colored pencil on paper, 211 × 152 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery
Left: Alexandra Grant, Blaue Unendlichkeit (Blue Infinity), 2020, Silk screen, colored pencil, colored marker, acrylic paint, watercolor, acrylic ink and sumi ink on paper, 339 × 302 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery
Right: Alexandra Grant, Libelle (LA, Berlin, Paris), 2021, Collage, acrylic paint, acrylic ink and colored pencil on paper, 211 × 152 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery

 

 

Left: Alexandra Grant, Antigone 3000 (black + white Berlin), 2020, 76 × 57 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery Right: Alexandra Grant Antigone 3000 (black + white Berlin), 2020, 76 × 57 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery
Left: Alexandra Grant, Antigone 3000 (black + white Berlin), 2020, 76 × 57 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery
Right: Alexandra Grant Antigone 3000 (black + white Berlin), 2020, 76 × 57 cm, © Alexandra Grant, Courtesy the artist and Carlier|Gebauer Gallery