PRESENTATION: Water-Designing for the Future

Erich Brechbühl et Claudia Klat, Platsch, 2011, © Erich Brechbühl et Claudia KlatThe global water crisis refers to the scarcity of clean, accessible water, affecting billions worldwide. This crisis results from factors like climate change, population growth, and pollution, leading to droughts, depleted aquifers, and contaminated supplies. It poses severe challenges to health, agriculture, and sustainability, demanding urgent, collective action to secure safe water for future generations.

By Efi Michalarou
Photo: Museum für Gestaltung Zürich Archive

Water is one of the greatest challenges of our time. Our handling of this resource has a significant impact on the future of the planet. The exhibition “Water. Designing for the Future” showcases international design ideas that have the potential to point the way out of the current water crisis. Projects from the fields of design, architecture, art, and science provide inspiring solutions for acute problems such as water scarcity, flooding, inadequate sanitation systems, and disrupted water cycles. In five chapters and with some 65 works, the exhibition sharpens awareness for sustainable use of this vital resource and exemplifies how a more creative and resilient use of water can be shaped in the future. The exhibition begins with a timeline, a chronology of water, spanning from ancient civilizations to the present, creating a seamless transition into the first chapter, “Water Stories”. This chapter features a collage of stories and objects that illuminate our diverse connection to water and its significance in various cultures and eras. The aim is to open up other perspectives, awaken new conceptions of water, and encourage thoughtful engagement. Water is essential for all life on Earth. It serves a multitude of vital functions, and the human body itself consists of a high percentage of water. However, when we breathe, sweat, or urinate, we lose water, so our stores must be regularly replenished by drinking. “Bodily Waters” highlights our close connection to water both within and outside our bodies. With projects such as a fog collector that captures minuscule water droplets and makes them available as drinking water, or alternative sanitation concepts like a dry toilet campaign, sustainable approaches are presented which help us rethink drinking water supply and sanitary facilities. The chapter “Invisible Water” reveals how about 85 percent of the world’s extracted freshwater flows into the cultivation of food and livestock, energy production, and the manufacturing of everyday products like clothing, electronics, cars, and building materials. It illustrates new concepts in agriculture and industrial production that reduce water consumption and thus promote systemic change. These include a nature-based process for producing textile dyes, which, unlike conventional chemical dyeing processes, does not cause water pollution, and a floating, modular greenhouse for urban agriculture that draws fresh water and energy from solar power. Over the past ten years, several cities have approached “day zero,” the moment when a city’s taps run dry. The case of Cape Town in 2018 is particularly well known. In the chapter “Thirsty Cities”, selected cities in various climate zones are examined from the perspective of their unique water management: Projects for reusing old water systems in Chennai, floating structures as a response to the steadily rising sea level in Lagos, systematic rainwater treatment in Mexico City, and flood protection measures like the Sihl-Zürichsee relief tunnel in Zurich present viable solutions. The chapter “Ecosystems” addresses long-term human interventions in nature, such as damming rivers, draining wetlands, and extracting groundwater, which significantly impact ecosystems, biodiversity, and the water cycle. The exhibition introduces alternative approaches that help restore the balance between humans and nature. Projects like trash barriers for cleaning heavily polluted rivers in Indonesia and underwater structures to reduce beach erosion and create habitats for marine life illustrate how ecosystems can be protected and regenerated through sustainable and creative solutions.

Photo: Erich Brechbühl et Claudia Klat, Platsch, 2011, © Erich Brechbühl et Claudia Klat

Info: Curators: Nora Wüthrich, Erika Pinner & Jane Withers, Museum für Gestaltung Zürich, Pfingstweidstrasse 96, Zurich, Switzerland, Duration: 29/11/2024-6/4/2025, Days & Hours: Tue-Wed & Fri-Sun 10:00-17:00, Thu 10:00-20:00, https://museum-gestaltung.ch/

Katsushika Hokusai (1760–1849), The Great Wave off Kanagawa, 1830–31, Page 1 from the series «36 Views of the Fuji» MK&G, © MK&G, Ryo Akama
Katsushika Hokusai (1760–1849), The Great Wave off Kanagawa, 1830–31, Page 1 from the series «36 Views of the Fuji» MK&G, © MK&G, Ryo Akama

 

 

Robert Lebeck (1929–2014), Wasserfest, Tokio, 1961, MK&G, Staatliche Landesbildstelle Hamburg, Photographic History Collection
Robert Lebeck (1929–2014), Wasserfest, Tokio, 1961, MK&G, Staatliche Landesbildstelle Hamburg, Photographic History Collection

 

 

Left: Rose-Lynn Fisher, The brevity of time (out of order) losing you, 2011, from Topography of Tears series, © Rose-Lynn FisherRight: Rose-Lynn Fisher, Watery eyes_a micro climate, 2008, from Topography of Tears series, © Rose-Lynn Fisher
Left: Rose-Lynn Fisher, The brevity of time (out of order) losing you, 2011, from Topography of Tears series, © Rose-Lynn Fisher
Right: Rose-Lynn Fisher, Watery eyes_a micro climate, 2008, from Topography of Tears series, © Rose-Lynn Fisher

 

 

Peter Trautwein (Aqualonis GmbH)_WasserStiftung, CloudFisher, Mount Boutmezguida, Morocco, 2016-ongoing, © Peter Trautwein
Peter Trautwein (Aqualonis GmbH)_WasserStiftung, CloudFisher, Mount Boutmezguida, Morocco, 2016-ongoing, © Peter Trautwein

 

 

Peter Trautwein (Aqualonis GmbH)_WasserStiftung, CloudFisher, Mount Boutmezguida, Morocco, 2016-ongoing, © Peter Trautwein 2
Peter Trautwein (Aqualonis GmbH)_WasserStiftung, CloudFisher, Mount Boutmezguida, Morocco, 2016-ongoing, © Peter Trautwein 2

 

 

PNAT, Jellyfish Barge, Milan, Italiy, 2015, © Matteo de Mayda
PNAT, Jellyfish Barge, Milan, Italiy, 2015, © Matteo de Mayda